{"id":1838,"date":"2011-03-18T11:15:45","date_gmt":"2011-03-18T18:15:45","guid":{"rendered":"https:\/\/mmusicmag.com\/m\/?p=1838"},"modified":"2011-03-18T11:15:45","modified_gmt":"2011-03-18T18:15:45","slug":"edie-brickell","status":"publish","type":"post","link":"https:\/\/mmusicmag.com\/m\/2011\/03\/edie-brickell\/","title":{"rendered":"EDIE BRICKELL"},"content":{"rendered":"<p><strong><a href=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2011\/03\/EDIE-BRICKELL-M-Review-December2010.jpg\"><img loading=\"lazy\" class=\"alignright size-full wp-image-1839\" title=\"EDIE-BRICKELL-M-Review-December2010\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2011\/03\/EDIE-BRICKELL-M-Review-December2010.jpg\" alt=\"\" width=\"400\" height=\"250\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2011\/03\/EDIE-BRICKELL-M-Review-December2010.jpg 400w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2011\/03\/EDIE-BRICKELL-M-Review-December2010-300x187.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/a>E<\/strong><strong>DIE BRICKELL<\/strong><\/p>\n<p><strong><em>Edie Brickell<\/em><\/strong><\/p>\n<p>[Redeye]<\/p>\n<p>Before adult-contemporary audiences could get the wah-wah guitar of her debut hit \u201cWhat I Am\u201d out of their heads, media-shy Edie Brickell had already grown disaffected with show business. Because her career since the \u201980s has been modest by choice, it\u2019s a feel-good shock to hear her sounding so comfortable on just her sixth album in 23 years. \u201cGive It Another Day\u201d starts out sounding like Laura Nyro in her Top 40 prime, adds some handclaps and finishes with enough soulful \u201cwoo-woo\u201ds to earn Brickell a seat on a midnight train to Georgia. The snappy, ragtime-y piano flourishes of \u201cAlways\u201d are preceded by a few seconds of studio shenanigans, including a charming chuckle from the artist herself. \u201cOn the Avenue\u201d is heavy on groove and light on narrative, but its simple words verify everything that\u2019s suggested by the rest of the album: Brickell is hanging out with friends and feeling just fine. \u2013David Styburski<\/p>\n","protected":false},"excerpt":{"rendered":"<p>EDIE BRICKELL Edie Brickell [Redeye] Before adult-contemporary audiences could get the wah-wah guitar of her debut hit \u201cWhat I Am\u201d out of their heads, media-shy Edie Brickell had already grown disaffected with show business. Because her career since the \u201980s has been modest by choice, it\u2019s a feel-good shock to hear her sounding so comfortable [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[17],"tags":[196,1334,1379,1382,1380,1381],"_links":{"self":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/1838"}],"collection":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/comments?post=1838"}],"version-history":[{"count":1,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/1838\/revisions"}],"predecessor-version":[{"id":1840,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/1838\/revisions\/1840"}],"wp:attachment":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/media?parent=1838"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/categories?post=1838"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/tags?post=1838"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}