{"id":17359,"date":"2017-06-12T22:38:38","date_gmt":"2017-06-13T05:38:38","guid":{"rendered":"https:\/\/mmusicmag.com\/m\/?p=17359"},"modified":"2017-06-14T09:51:45","modified_gmt":"2017-06-14T16:51:45","slug":"track-premiere-exclusive-interview-7horse","status":"publish","type":"post","link":"https:\/\/mmusicmag.com\/m\/2017\/06\/track-premiere-exclusive-interview-7horse\/","title":{"rendered":"TRACK PREMIERE &#038; EXCLUSIVE INTERVIEW 7HORSE"},"content":{"rendered":"<div><\/div>\n<p><strong>TRACK PREMIERE &amp; WEB-EXCLUSIVE INTERVIEW<\/strong><br \/>\nBand: <strong>7HORSE<\/strong><br \/>\nMusician: <strong>PHIL LEAVITT<\/strong><br \/>\nExclusive Track Premiere: \u201c<strong>Swagger<\/strong>\u201d<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/319930847&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;visual=true\" width=\"100%\" height=\"450\" frameborder=\"no\" scrolling=\"no\"><\/iframe><\/p>\n<p><strong><em>M<\/em><\/strong><strong> <em>Music <\/em>magazine Exclusive Track Premiere and interview with dada\/7Horse drummer\/singer, Phil Leavitt<\/strong><\/p>\n<p><strong>Rock band dada confirms first new recordings in over a decade and sets 25<sup>th<\/sup> anniversary dadaforever U.S. Tour, with 7Horse performing at each show<\/strong><\/p>\n<p>7Horse is a rock\/blues duo featuring guitarist\/singer Joie Calio and singer\/drummer Phil Leavitt. The band broke through to mainstream success when Martin Scorsese chose their grinding, menacing track \u201cMeth Lab Zoso Sticker\u201d for <em>The Wolf of Wall Street<\/em>. 7Horse\u2019s song was featured in both the film as well as in the second trailer.<\/p>\n<p>Calio and Levitt make up two thirds of the seminal rock band Dada, which is currently celebrating its 25<sup>th<\/sup> Anniversary with a U.S. tour and its first new singles in over a decade. On the upcoming dada tour, 7Horse will perform a mini-set mid-show each night.<\/p>\n<p>As Leavitt clearly articulates, \u201cdada is the light. Peace and love. For the audience, seeing the three of us together is something hopeful and happy in an increasingly pessimistic world. The music is elevated, smart\u2014with beautiful harmonies.\u201d He continues,\u201d7Horse is the street: the greasy underbelly, the blues, the riffs\u2014the hard truth.\u201d<br \/>\nWe talked with Phil Leavitt about his amazing 25-year journey with Dada, this wonderful, exciting new chapter with 7Horse, and their new track premiere, \u201cSwagger.\u201d<\/p>\n<p><strong>PHIL LEAVITT OF 7HORSE \/ DADA Web-Exclusive Interview<\/strong><br \/>\n<strong>with\u00a0<em>M Music &amp; Musicians<\/em>\u00a0magazine publisher, Merlin David<\/strong><\/p>\n<p><strong>Tell us how 7Horse evolved.<\/strong><br \/>\nIt evolved out of a need for Joie and me to be creative and to explore a different direction\u2014and a timely suggestion from our engineer Scott Gordon. In late 2010, we had some studio time lined up for Dada but when guitarist Michael Gurley couldn\u2019t make the session, due to other commitments, Scott suggested we come in anyway and \u201csee what happens.\u201d Joie and I had been talking about doing something different together\u2014rock \u2019n\u2019 roll, blues, something down and dirty, with him on slide guitar. To make it something different, I needed to sing lead. I called it our \u201cart project\u201d\u2014no pressure that way. The first song we cut was \u201cMeth Lab\u201d and 7Horse was born.<\/p>\n<p><strong>How did the idea of \u2018Swagger\u2019 come to you?<\/strong><br \/>\nThe word seems to be everywhere these days\u2014swag, swagger. Everybody seems to need to project a tough guy attitude\u2014athletes, actors, even politicians. I\u2019m not immune. I\u2019m sure it\u2019s an attempt at covering insecurity. (<em>Laughs<\/em>) I\u2019m not sure if this song is touting it or skewering it. Depends how you\u2019re feeling when you wake up in the morning. It\u2019s a fun track\u2014not taking itself too seriously. Joie, as usual, came up with a great opening riff. Then we were off and running.<\/p>\n<p><strong>Who inspired you to write songs?<\/strong><br \/>\nWhile inspired by many great writers from different genres and eras\u2014I love a good song no matter when it was written. Not sure I needed much inspiration, but like many others\u2014Lennon-McCartney and George Harrison first inspired me to write a song. At 8 or 9, I wrote lyrics to \u201cThe Girl From Ipanema\u201d tune. Who knows where I heard it, but it was a very personal account of my life as a 3rd grader in Las Vegas. Performed it for the class accompanying myself on bongos\u2014went over big. (<em>Laughs<\/em>) But the Beatles were, and are, one of the keystones of my musical approach.<\/p>\n<p><strong>What made you want to write songs professionally?<\/strong><br \/>\nI never thought about it like that. I just like making things up\u2014being creative, doing my own thing. It\u2019s the only thing I want to do with my life. Getting money for that, sometimes, is the icing on the cake.<\/p>\n<p><strong><img loading=\"lazy\" class=\"alignnone size-full wp-image-17364\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2017\/06\/7Horse-2-6997.jpg\" alt=\"7Horse-2 - 6997\" width=\"660\" height=\"440\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2017\/06\/7Horse-2-6997.jpg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2017\/06\/7Horse-2-6997-300x200.jpg 300w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/>Tell me a little about your creative process.<\/strong><br \/>\nIt can happen in many different ways: writing alone, lyrics or guitar riff, singing melodies and improvising lyrics. Sending that to Joie to see where he takes it, and adding to his idea\u2014or just jamming as a band from scratch. For the latest Dada stuff, Joie brought in a song and Mike had an idea for another. He is an incredible writer and guitarist. We worked as a group to bring it all together. Ultimately, everything we do is a collaboration\u2014everybody brings something unique to the table. Joie and Michael bring a lot, as does our current co-producer\/engineer\/mixer Dave Way.<\/p>\n<p><strong>Tell us one experience where something unique inspired you to write a song.<\/strong><br \/>\nI write from my life experience. A few years ago, my wife and I took a trip to New Orleans. Some friends were having a voodoo wedding. I decided to make the trip a little more enjoyable by consuming a cannabis lollipop that I started on the way to the airport. When I got to the security check point and opened my wallet to show my driver\u2019s license\u2014it wasn\u2019t there. I didn\u2019t have it. At about this time, the sucker was kicking in. Panic time? No. I was cool. They asked me a series of identifying questions, and I got on the flight. Later we wrote a song called \u201cFlying High (with No ID).\u201d It\u2019s on the second 7Horse record <em>Songs for a Voodoo Wedding<\/em>.<\/p>\n<p><strong>What songwriting tip would you like to offer?<\/strong><br \/>\nThere\u2019s inspiration everywhere. Keep your eyes open. If you get an idea in the middle of the night, you\u2019d better get it down. Don\u2019t wait till morning\u2014you won\u2019t remember it.<\/p>\n<p><img loading=\"lazy\" class=\"alignnone size-full wp-image-17365\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2017\/06\/7Horse-1-ted-red-wall6807.jpg\" alt=\"7Horse-1 - ted red wall6807\" width=\"660\" height=\"440\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2017\/06\/7Horse-1-ted-red-wall6807.jpg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2017\/06\/7Horse-1-ted-red-wall6807-300x200.jpg 300w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><\/p>\n<p><strong>How does 7Horse differ from Dada?<\/strong><br \/>\nFor me, they\u2019re almost opposite sides of the same coin. I guess the coin is human experience. Dada is the light: the pop sensibility, the harmonies, the jams, the poetic imagery in the lyrics, the epic solos\u2014the love. 7Horse is the street: the greasy underbelly, the blues, the riffs, the hard truth\u2014sex, drugs and \u2026 well, you know the rest.<\/p>\n<p><strong>How do you plan to celebrate Dada\u2019s 25<sup>th<\/sup> anniversary?<\/strong><br \/>\nIt\u2019s a big year for us. We\u2019ve already done a series of tour dates, and we\u2019re getting ready for another full swing around the country. We\u2019ve been in the studio, and recorded our first new songs since 2007\u2014releasing them this summer and getting back out on the road. The shows have a joyous quality. It\u2019s great to celebrate with our audience\u2014who\u2019ve been with us for so long, and also with people who are seeing us for the first time.<\/p>\n<p><strong>Do you remember the first time you heard one of your songs on the radio?<\/strong><br \/>\nI\u2019ll never forget it. Dada was on the road. It was just the three of us in our minivan. We were somewhere in Central California driving between gigs. I remember hearing Led Zeppelin and then \u2026 \u201cDizz Knee Land.\u201d We were so excited. I remember trying to climb over the back seat to get closer to the radio up front. We were hooting and hollering\u2014and had to pull over. It was the realization of something we had envisioned since we were kids. I hesitate to call it a dream because in a way I had always expected it to happen. It was thrilling. What I didn\u2019t envision was the rocky road that we were to experience in the years ahead.<\/p>\n<p><strong><img loading=\"lazy\" class=\"alignnone size-full wp-image-17363\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2017\/06\/7Horse-3-Dada.jpg\" alt=\"7Horse-3 - Dada\" width=\"660\" height=\"438\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2017\/06\/7Horse-3-Dada.jpg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2017\/06\/7Horse-3-Dada-300x199.jpg 300w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/>Do you remember how the idea of \u201cDizz Knee Land\u201d came to you for 1992\u2019s <em>Puzzle<\/em>?<\/strong><br \/>\nThat one was Joie\u2019s. He tells a story of a dream\u2014seeing a bus with the word \u201cDizzKneeLand\u201d on the side and hearing the opening riff. It\u2019s one of those times it pays to wake up and get it down.<\/p>\n<p><strong>Tell us about Dada\u2019s early I.R.S. years.<\/strong><br \/>\nIt was exciting. Everything was happening for the first time. Nobody knew it yet, but it was the last great days of the old-school record business\u2014when you were getting ripped off but you didn\u2019t know or care because you were in a big-time studio, with a big-time producer.<\/p>\n<p><strong>Tell us about working with one of those big-time producers.<\/strong><br \/>\nWe worked with Ken Scott on <em>Puzzle<\/em>. He started as a tape op at Abbey Road, and ended up engineering the Beatles\u2019 <em>White Album<\/em>. That alone was a mind blower for me\u2014not to mention his other credits: Bowie, Supertramp, etc. Label president Miles Copeland was a trip. Big and brash\u2014like a record exec should be\u2014and Stewart Copeland\u2019s brother, crazy. (<em>Laughs<\/em>) It was the whole thing\u2014getting shuttled around to photo shoots and interviews, big celebratory dinners with promo guys (on our tab, of course). TV shows and bigger and bigger gigs\u2014climbing the charts. It was a blast\u2014until it wasn\u2019t. Everybody loves you when you\u2019re <em>hot<\/em>. When you\u2019re <em>not<\/em>, you lose a lot of friends in a hurry\u2014and then the bill comes.<\/p>\n<p><strong>What instrument\/equipment can you not live without?<\/strong><br \/>\nI\u2019ve been playing Paiste cymbals since 1993. They\u2019re really a key part of my sound. I\u2019ve had to play a lot of different drums on the road. When renting, you can\u2019t always get what you want. But if I have those cymbals\u2014I sound like me. I don\u2019t have a drum endorsement at the moment but I\u2019ve been playing a 1967 Ludwig Super Classic in Burgundy Sparkle\u2014for about 15 years. One day I walked into Pro Drum in Hollywood, and they were sitting there on consignment. As soon as I saw them, I knew\u2014those are mine. Classic sound, and Ringo of course plays Ludwig, so it was obvious. Wherever I go, I use Vater drumsticks\u2014been with them for almost as long as Paiste. For songwriting, my iPhone. Everything is on there. Joie and I work a lot of 7Horse ideas back and forth over iPhone. That\u2019s how we wrote \u201cMeth Lab Zoso Sticker.\u201d<\/p>\n<p><strong>Tell us how \u201c<\/strong><strong>Meth Lab Zoso Sticker<\/strong><strong>\u201d got into Martin Scorsese\u2019s <em>The Wolf of Wall Street<\/em>.<\/strong><br \/>\nI really don\u2019t have an answer. One day an email showed up in Joie\u2019s inbox. It was from some lawyer saying she represented Martin Scorsese, and he wanted to use MLZS in his new film. Joie thought it was a hoax\u2014a phishing scam. We ran it down\u2014no hoax. Where they heard it\u2014we had <em>no<\/em> idea and never found out. Perhaps on satellite radio\u2014because it did get some play there. We had no representation, so I negotiated the deal\u2014a first. It took months to finally learn we had made the final cut. We found out from Joie\u2019s brother\u2014who heard us in the trailer and sent us a text message. It was a great day.<\/p>\n<p><strong><img loading=\"lazy\" class=\"alignnone size-full wp-image-17362\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2017\/06\/7Horse-5Dada-1.jpg\" alt=\"7Horse-5Dada-1\" width=\"660\" height=\"443\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2017\/06\/7Horse-5Dada-1.jpg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2017\/06\/7Horse-5Dada-1-300x201.jpg 300w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/>Top 5 Musicians\u00a0who inspired you to become a musician?<\/strong><br \/>\nWe start with the Fab Four. Ringo in particular was a driving force in my drumming from an early age\u2014his approach to a song\u2014the simplicity, swinging feel, interplay with the vocals. I once read: the drummer is the catcher the songwriter is pitching to. Don\u2019t remember who said it, but I don\u2019t think anyone ever caught it better than Ringo. I didn\u2019t get any of that when I was 10. It was just magic. As a child, I remember playing along with <em>Abbey Road<\/em> on a rag tag set of pillows and pots and pans with wooden spoons\u2014and getting lost in it. I desperately wanted to be <em>in<\/em> the Beatles. It\u2019s really all I listened to for years.<\/p>\n<p>At the same time, I remember seeing Buddy Rich on television and not only being blown away by his masterful technique\u2014but being highly entertained by his interview segments with Johnny Carson. A drummer, as a leader\u2014the big personality. It made quite an impression.<\/p>\n<p>Then, Stewart Copeland and the Police\u2014they were really the next band that broke through into my conscientious. I had already been playing for years, but it turned my head inside out. I started playing differently. OK\u2014I was ripping off Stewart Copeland. (<em>Laughs<\/em>)\u00a0But slowly I developed my own thing. Combining all that I had heard from those guys\u2014and adding to it over the years.<\/p>\n<p>I never met Buddy, but studied with a guy who was very close to him. I spent time with Ringo, Stewart Copeland and George Harrison. Almost makes you believe that if you think about something hard enough\u2014and I thought about all of them long and hard\u2014you can bring it right to you.<\/p>\n<p><strong>It\u2019s Buddy\u2019s 100<sup>th<\/sup> Anniversary celebration. How did he influence you?<\/strong><br \/>\nI think about Buddy Rich a lot. I love watching the old clips of him with Johnny Carson and Mike Douglas. He\u2019s funny as hell\u2014so sure of himself, even when he\u2019s wrong. Talk about swagger. (<em>Laughs<\/em>) As a drummer and band leader myself, who dabbles in the martial arts (boxing), he\u2019s a huge inspiration. I even named my dog Buddy.<br \/>\n<strong>What are your Top 5 favorite albums of all time?<\/strong><\/p>\n<p><em>Abbey Road<\/em> (1969) \u2013 The Beatles<br \/>\n<em>Revolver<\/em> (1966) \u2013 The Beatles<br \/>\n<em>Meet the Beatles!<\/em> (1964) \u2013 The Beatles<br \/>\n<em>Outlandos d\u2019Amour<\/em> (1978) \u2013 The Police<br \/>\n<em>Regatta de Blanc<\/em> (1979) \u2013 The Police<\/p>\n<p>I have to add one more. It was my folks\u2019 album, but I wore it out:<\/p>\n<p><em>Jesus Christ Superstar<\/em> (1970) \u2013 Original Cast Recording<\/p>\n<p><strong><img loading=\"lazy\" class=\"alignnone size-full wp-image-17361\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2017\/06\/7Horse-6-6855.jpg\" alt=\"7Horse-6 - 6855\" width=\"660\" height=\"440\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2017\/06\/7Horse-6-6855.jpg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2017\/06\/7Horse-6-6855-300x200.jpg 300w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/>Tell us about a \u201cpinch me\u201d moment\u2014a time you recorded or played live on stage with a musical idol\/hero.<\/strong><br \/>\nIn 1997, we got invited by our friend and engineer Scott Gordon (he figures in this one too) to come down to the Village recording studio in West Los Angeles to take part in a session he was working on. Ringo Starr was making a record called <em>Vertical Man<\/em>, and they were doing a big gang vocal overdub in the big room. It was an all-star cast of rock stars,\u00a0luminaries, family friends \u2026 and Dada. The producer organized the group for the vocal first pass by having all the <em>professional singers<\/em> come to the front. I remember Ringo saying, \u201cWell, I guess I\u2019ll go to the back then.\u201d Next time around we mixed it up, and I found myself shoulder to shoulder with the man himself. We sang it down. It\u2019s a tune called \u201cLa De Da\u201d\u2014we\u2019re on the out-chorus. As we finished, I realized this was my moment to tell Ringo how much he meant to me\u2014which I did, profusely. He took it all in\u2014fully focused on me, while I gushed. He actually tried to calm me down a little. \u201cYeah cool, it\u2019s alright yeah, take it easy.\u201d We had been warned not to take any photos. Don\u2019t even bring a camera. Everyone brought a camera but us. (<em>Laughs<\/em>) We panicked. Will someone please take a picture of us with Ringo Starr. We got the shot. Then he was gone\u2014moved on to the next person who wanted their moment. I turned and saw his wife, Barbara Bach, sitting alone in the control room. Now I\u2019m feeling strong. I march in there to meet her. I told her I really unloaded on her husband. She said, \u201cOh, he loves hearing from guys like you who were inspired by him and the Beatles. When Bono came to the house, he did the very same thing\u2014so don\u2019t feel bad, you\u2019re in good company.\u201d (<em>Laughs<\/em>)<\/p>\n<p><strong>Best advice someone has given you.<\/strong><br \/>\nIn the early days of Dada, we used to cover \u201cSweet Caroline.\u201d We did a pretty cool version. Rocked it up and added some of our signature harmonies. Our manager knew Neil Diamond\u2019s road manager\u2014he had seen us play it\u2014and we got an invite to Neil\u2019s show in Dallas. We went backstage, but Neil wouldn\u2019t see us. Too close to show time, maybe, I don\u2019t know. He sent a note out: \u201ckeep writing songs.\u201d Seems obvious, but it\u2019s good advice. You never know what the next one will bring. Or maybe he was telling us to stop messing with his stuff\u2014and do our own. (<em>Laughs<\/em>) Either way, it\u2019s good.<\/p>\n<p><strong>What PRO are you with?<\/strong><br \/>\nI\u2019ve been with BMI for my whole career. How do they help? Quarterly! (<em>Laughs<\/em>)<\/p>\n<p><strong>What\u2019s next?<\/strong><br \/>\nGet back in the studio later this month and make new 7Horse music. Then, head out on the road with Dada (featuring a mini-set of 7H), and release the new Dada stuff. We\u2019ll be back on the road in September. If we could make a new Dada album after that, I\u2019d be pretty satisfied with the year. And then, we can get started on the next 25.<br \/>\n<strong>Where can your new fans get more info and stay updated?<\/strong><\/p>\n<p><a href=\"http:\/\/www.7HorseMusic.com\">www.7HorseMusic.com<\/a><\/p>\n<p><a href=\"http:\/\/www.Dadaforever.com\">www.Dadaforever.com<\/a><\/p>\n<div id=\"attachment_17360\" style=\"width: 670px\" class=\"wp-caption alignnone\"><img aria-describedby=\"caption-attachment-17360\" loading=\"lazy\" class=\"size-full wp-image-17360\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2017\/06\/7Horse-4-Phil-Leavitt.jpg\" alt=\" Phil Leavitt\" width=\"660\" height=\"989\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2017\/06\/7Horse-4-Phil-Leavitt.jpg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2017\/06\/7Horse-4-Phil-Leavitt-200x300.jpg 200w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2017\/06\/7Horse-4-Phil-Leavitt-300x449.jpg 300w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><p id=\"caption-attachment-17360\" class=\"wp-caption-text\">Phil Leavitt<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"<p>TRACK PREMIERE &amp; WEB-EXCLUSIVE INTERVIEW Band: 7HORSE Musician: PHIL LEAVITT Exclusive Track Premiere: \u201cSwagger\u201d M Music magazine Exclusive Track Premiere and interview with dada\/7Horse drummer\/singer, Phil Leavitt Rock band dada confirms first new recordings in over a decade and sets 25th anniversary dadaforever U.S. Tour, with 7Horse performing at each show 7Horse is a rock\/blues [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[7725],"tags":[9219,9220,8146,8566,9221,5879,5762,8668,9222,9223,9224,9225,206,9226,9227,4075,9228,8178,9229,8773,9230,9231,4315,9232,9122,9233,10161,7566,4079,3010,9234,9235,9236,7978,1176,9237,9238,9239,9240,9241,28,9242,9243,6147,9244,3818,5754,9245,9246,3184,9247,9248],"_links":{"self":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/17359"}],"collection":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/comments?post=17359"}],"version-history":[{"count":10,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/17359\/revisions"}],"predecessor-version":[{"id":17376,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/17359\/revisions\/17376"}],"wp:attachment":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/media?parent=17359"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/categories?post=17359"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/tags?post=17359"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}