{"id":1642,"date":"2011-03-04T20:09:44","date_gmt":"2011-03-05T03:09:44","guid":{"rendered":"https:\/\/mmusicmag.com\/m\/?p=1642"},"modified":"2011-03-04T20:09:44","modified_gmt":"2011-03-05T03:09:44","slug":"fred-eaglesmith","status":"publish","type":"post","link":"https:\/\/mmusicmag.com\/m\/2011\/03\/fred-eaglesmith\/","title":{"rendered":"FRED EAGLESMITH"},"content":{"rendered":"<p><strong><a href=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2011\/03\/FRED-EAGLESMITH-M-Review-SeptOct2010.jpg\"><img loading=\"lazy\" class=\"alignleft size-full wp-image-1643\" title=\"FRED-EAGLESMITH-M-Review-SeptOct2010\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2011\/03\/FRED-EAGLESMITH-M-Review-SeptOct2010.jpg\" alt=\"\" width=\"400\" height=\"250\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2011\/03\/FRED-EAGLESMITH-M-Review-SeptOct2010.jpg 400w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2011\/03\/FRED-EAGLESMITH-M-Review-SeptOct2010-300x187.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/a>FRED EAGLESMITH<\/strong><\/p>\n<p><strong><em>Cha Cha Cha<\/em><\/strong><\/p>\n<p><a href=\"http:\/\/fredeaglesmith.com\" target=\"_blank\">fredeaglesmith.com<\/a><\/p>\n<p>As the title implies, <em>Cha Cha Cha<\/em> recreates vintage sounds like classic gospel and retro rock \u2019n\u2019 roll. Eaglesmith usually plays the irrepressible troubadour, but here his wry observations and critical commentary are tempered by the album\u2019s romantic allure. Throughout these 10 tracks, Eaglesmith segues smoothly from the gypsy sway of \u201cCareless\u201d and the bottleneck shuffle of \u201cCar\u201d to the cool tango of \u201cGone Too Long\u201d and the shimmering caress of \u201cSilhouettes.\u201d <em>Cha Cha Cha<\/em> finds the Canadian singer making heavy use of vibrato, emoting with a parched voice that\u2019s more croak than croon. It echoes Tom Waits and Willy DeVille, while injecting ominous overtones into this otherwise friendly encounter.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>FRED EAGLESMITH Cha Cha Cha fredeaglesmith.com As the title implies, Cha Cha Cha recreates vintage sounds like classic gospel and retro rock \u2019n\u2019 roll. Eaglesmith usually plays the irrepressible troubadour, but here his wry observations and critical commentary are tempered by the album\u2019s romantic allure. Throughout these 10 tracks, Eaglesmith segues smoothly from the gypsy [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[14],"tags":[196,1136,1135,1137,10159,1062],"_links":{"self":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/1642"}],"collection":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/comments?post=1642"}],"version-history":[{"count":1,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/1642\/revisions"}],"predecessor-version":[{"id":1644,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/1642\/revisions\/1644"}],"wp:attachment":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/media?parent=1642"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/categories?post=1642"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/tags?post=1642"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}