{"id":15235,"date":"2016-02-29T09:27:10","date_gmt":"2016-02-29T16:27:10","guid":{"rendered":"https:\/\/mmusicmag.com\/m\/?p=15235"},"modified":"2016-02-29T09:27:24","modified_gmt":"2016-02-29T16:27:24","slug":"beefed-up-billy-bass","status":"publish","type":"post","link":"https:\/\/mmusicmag.com\/m\/2016\/02\/beefed-up-billy-bass\/","title":{"rendered":"BEEFED-UP BILLY BASS"},"content":{"rendered":"<h1><img loading=\"lazy\" class=\"alignnone size-full wp-image-15236\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2016\/02\/Yamaha-NewYear-Top-Gear.jpg\" alt=\"Yamaha-NewYear-Top-Gear\" width=\"660\" height=\"440\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2016\/02\/Yamaha-NewYear-Top-Gear.jpg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2016\/02\/Yamaha-NewYear-Top-Gear-300x200.jpg 300w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><\/h1>\n<h1>BEEFED-UP BILLY BASS<\/h1>\n<p>Few bass players are as discerning about tone as Billy Sheehan\u2014one of the reasons his signature line of <b>Yamaha<\/b> basses keeps evolving. The <b>Billy Sheehan Attitude Limited<\/b> <b>3\u00a0<\/b>bass model doles out a bold low end, clear highs, and midrange articulation that\u2019s second to none. A spline-jointed body and redesigned neck joint serve up tight response and fast action. At the neck, a Yamaha woofer pickup offers plenty of body, and the DiMarzio Will Power split pickup tops it off with growling harmonics.<\/p>\n<p>\u2013Phil Selman<\/p>\n","protected":false},"excerpt":{"rendered":"<p>BEEFED-UP BILLY BASS Few bass players are as discerning about tone as Billy Sheehan\u2014one of the reasons his signature line of Yamaha basses keeps evolving. The Billy Sheehan Attitude Limited 3\u00a0bass model doles out a bold low end, clear highs, and midrange articulation that\u2019s second to none. A spline-jointed body and redesigned neck joint serve [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[11],"tags":[7717,7716,2591],"_links":{"self":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/15235"}],"collection":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/comments?post=15235"}],"version-history":[{"count":1,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/15235\/revisions"}],"predecessor-version":[{"id":15237,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/15235\/revisions\/15237"}],"wp:attachment":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/media?parent=15235"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/categories?post=15235"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/tags?post=15235"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}