{"id":12837,"date":"2014-10-22T09:11:56","date_gmt":"2014-10-22T16:11:56","guid":{"rendered":"https:\/\/mmusicmag.com\/m\/?p=12837"},"modified":"2014-10-22T09:13:16","modified_gmt":"2014-10-22T16:13:16","slug":"berklee-college-expands","status":"publish","type":"post","link":"https:\/\/mmusicmag.com\/m\/2014\/10\/berklee-college-expands\/","title":{"rendered":"BERKLEE COLLEGE EXPANDS"},"content":{"rendered":"<h1><img loading=\"lazy\" class=\"alignleft size-full wp-image-12840\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2014\/10\/expands2.jpg\" alt=\"expands2\" width=\"660\" height=\"440\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2014\/10\/expands2.jpg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2014\/10\/expands2-300x200.jpg 300w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><\/h1>\n<h1>BERKLEE COLLEGE OF MUSIC EXPANDS ITS MUSIC PRODUCTION FACILITIES WITH SSL DUALITY<\/h1>\n<p>Rising 16 stories above the hustle and bustle of Boston\u2019s Back Bay neighborhood,\u00a0<strong>Berklee College of Music<\/strong>\u00a0has completed its first-ever built-from-the-ground-up residence, rehearsal, performance and educational tower. Dedicated to the art of contemporary music, live performance, music production and engineering in all its forms, the building features a two-story state-of-the-art 10-studio complex designed by Walters-Storyk Design Group (WSDG). Among the largest of its kind in the United States,\u00a0the facility features scoring and dubbing stages, large tracking and mixing rooms and a mastering studio, along with production suites and a multi-seat tech lab. To ensure students are learning on the latest professional tools, the school installed its second new\u00a0<strong>SSL Duality<\/strong>\u00a0for tracking and mixing in Studio 3 (aka \u201cThe Bridge\u201d), purpose-built for advanced students. Duality delivers the company\u2019s signature sound through an analogue workflow, elegantly integrated with a sophisticated DAW controller, making it ideal for teaching students to work in a hybrid production world.<\/p>\n<p><img loading=\"lazy\" class=\"alignleft size-full wp-image-12839\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2014\/10\/expands1.jpg\" alt=\"expands1\" width=\"660\" height=\"440\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2014\/10\/expands1.jpg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2014\/10\/expands1-300x200.jpg 300w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><\/p>\n<p>\u201cDuality nicely bridges the gap between teaching on our traditional in-line analogue consoles, and our DAW controllers,\u201d says Dan Thompson, Assistant Chair of Music Production and Engineering at Berklee College of Music. \u201cThe console is an extremely interesting teaching tool because it can act as an advanced analogue console alongside comprehensive control layer for DAW-based projects. In our advanced tracking and mixdown curricula, Duality perfectly illustrates this hybrid workflow and professional paradigm.\u201d<\/p>\n<p><img loading=\"lazy\" class=\"alignleft size-full wp-image-12838\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2014\/10\/expands3.jpg\" alt=\"expands3\" width=\"660\" height=\"440\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2014\/10\/expands3.jpg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2014\/10\/expands3-300x200.jpg 300w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>BERKLEE COLLEGE OF MUSIC EXPANDS ITS MUSIC PRODUCTION FACILITIES WITH SSL DUALITY Rising 16 stories above the hustle and bustle of Boston\u2019s Back Bay neighborhood,\u00a0Berklee College of Music\u00a0has completed its first-ever built-from-the-ground-up residence, rehearsal, performance and educational tower. Dedicated to the art of contemporary music, live performance, music production and engineering in all its forms, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[3],"tags":[1762,7502,7503],"_links":{"self":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/12837"}],"collection":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/comments?post=12837"}],"version-history":[{"count":1,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/12837\/revisions"}],"predecessor-version":[{"id":12841,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/12837\/revisions\/12841"}],"wp:attachment":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/media?parent=12837"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/categories?post=12837"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/tags?post=12837"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}