{"id":1254,"date":"2010-09-01T09:22:39","date_gmt":"2010-09-01T16:22:39","guid":{"rendered":"https:\/\/mmusicmag.com\/m\/?p=1254"},"modified":"2010-09-01T09:22:39","modified_gmt":"2010-09-01T16:22:39","slug":"art-m-four-tube-mic","status":"publish","type":"post","link":"https:\/\/mmusicmag.com\/m\/2010\/09\/art-m-four-tube-mic\/","title":{"rendered":"ART M-FOUR TUBE MIC"},"content":{"rendered":"<p><strong><a href=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2010\/09\/gear-ART-M-FOUR-TUBE-MIC.jpg\"><img loading=\"lazy\" class=\"alignleft size-full wp-image-1255\" title=\"gear-ART-M-FOUR-TUBE-MIC\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2010\/09\/gear-ART-M-FOUR-TUBE-MIC.jpg\" alt=\"\" width=\"400\" height=\"250\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2010\/09\/gear-ART-M-FOUR-TUBE-MIC.jpg 400w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2010\/09\/gear-ART-M-FOUR-TUBE-MIC-300x187.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/a>Applied Research and Technology M-Four offers a multi-purpose, multi-pattern mic with a twist of versatility.<\/strong><\/p>\n<p><strong>FOR:<\/strong> Recording instrumentalists and singers. The M-Four has all the presence and character expected in a tube mic, but its biggest draw is its ability to customize the perfect response pattern for whatever is being recorded. On top of the usual cardioid, omni- and bidirectional patterns, there are also six additional subtle stages between. So many options make it a breeze to dial in the best blend of signal and room. It nicely handles the grit in male voices and the bite of horns and percussion.<\/p>\n<p><strong>NOT FOR: <\/strong>The indecisive. The many choices may leave some second-guessing where the best sound lies.<\/p>\n<p>\u2013Dave Jones<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Applied Research and Technology M-Four offers a multi-purpose, multi-pattern mic with a twist of versatility. FOR: Recording instrumentalists and singers. The M-Four has all the presence and character expected in a tube mic, but its biggest draw is its ability to customize the perfect response pattern for whatever is being recorded. On top of the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9],"tags":[755,10158,623,756,758,757],"_links":{"self":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/1254"}],"collection":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/comments?post=1254"}],"version-history":[{"count":2,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/1254\/revisions"}],"predecessor-version":[{"id":1257,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/1254\/revisions\/1257"}],"wp:attachment":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/media?parent=1254"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/categories?post=1254"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/tags?post=1254"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}