{"id":1246,"date":"2010-09-01T08:52:15","date_gmt":"2010-09-01T15:52:15","guid":{"rendered":"https:\/\/mmusicmag.com\/m\/?p=1246"},"modified":"2010-09-01T08:52:15","modified_gmt":"2010-09-01T15:52:15","slug":"dean-markley-ultrasound-cd60-amp","status":"publish","type":"post","link":"https:\/\/mmusicmag.com\/m\/2010\/09\/dean-markley-ultrasound-cd60-amp\/","title":{"rendered":"DEAN MARKLEY ULTRASOUND CD60 AMP"},"content":{"rendered":"<p><strong><a href=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2010\/09\/gear-DEAN-MARKLEY-ULTRASOUND-CD60-AMP.jpg\"><img loading=\"lazy\" class=\"alignleft size-full wp-image-1247\" title=\"gear-DEAN-MARKLEY-ULTRASOUND-CD60-AMP\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2010\/09\/gear-DEAN-MARKLEY-ULTRASOUND-CD60-AMP.jpg\" alt=\"\" width=\"400\" height=\"250\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2010\/09\/gear-DEAN-MARKLEY-ULTRASOUND-CD60-AMP.jpg 400w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2010\/09\/gear-DEAN-MARKLEY-ULTRASOUND-CD60-AMP-300x187.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/a>The Dean Markley UltraSound CD60 reissue is a dual-channel combo guitar amp with headroom to spare.<\/strong><\/p>\n<p><strong>FOR:<\/strong> Guitarists playing everything from rhythm guitar in a blues band to Queen covers with treble-heavy distorted leads. This is an all-tube tone machine. After years of turning knobs and hearing a broad shelving of low, middle or high frequencies, the CD60\u2019s EQ\u2014tuned to a guitar\u2019s tonal sweet spots\u2014turns on a dime. Bright and Mid-Boost switches also come in handy when crafting a tone, as does the presence control, which appears after the overdrive in the signal chain for control over the ultra-high artifacts of distortion.<\/p>\n<p><strong>NOT FOR:<\/strong> Players who prefer a solid-state distortion.<\/p>\n<p>\u2013Dave Jones<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Dean Markley UltraSound CD60 reissue is a dual-channel combo guitar amp with headroom to spare. FOR: Guitarists playing everything from rhythm guitar in a blues band to Queen covers with treble-heavy distorted leads. This is an all-tube tone machine. After years of turning knobs and hearing a broad shelving of low, middle or high [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[9],"tags":[750,749,747,10158,623,748],"_links":{"self":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/1246"}],"collection":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/comments?post=1246"}],"version-history":[{"count":2,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/1246\/revisions"}],"predecessor-version":[{"id":1249,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/1246\/revisions\/1249"}],"wp:attachment":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/media?parent=1246"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/categories?post=1246"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/tags?post=1246"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}