{"id":12211,"date":"2014-05-16T00:07:59","date_gmt":"2014-05-16T07:07:59","guid":{"rendered":"https:\/\/mmusicmag.com\/m\/?p=12211"},"modified":"2014-05-16T00:07:59","modified_gmt":"2014-05-16T07:07:59","slug":"audix-scx25a-microphone","status":"publish","type":"post","link":"https:\/\/mmusicmag.com\/m\/2014\/05\/audix-scx25a-microphone\/","title":{"rendered":"AUDIX SCX25A MICROPHONE"},"content":{"rendered":"<h1><b><img loading=\"lazy\" class=\"alignnone size-full wp-image-12212\" alt=\"AUDIX-SCX25A-Gear-Review-Issue-No31\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2014\/05\/AUDIX-SCX25A-Gear-Review-Issue-No31.jpg\" width=\"660\" height=\"440\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2014\/05\/AUDIX-SCX25A-Gear-Review-Issue-No31.jpg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2014\/05\/AUDIX-SCX25A-Gear-Review-Issue-No31-300x200.jpg 300w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/>A<\/b><b>UDIX SCX25A MICROPHONE<\/b><\/h1>\n<h2><b>Phenomenal piano sound<\/b><b>\u00a0<\/b><\/h2>\n<p>Capturing piano is challenging especially during live performances. The Audix SCX25A-PS large diaphragm studio condenser mic kit we reviewed comes with a pair of SCX25As and two piano mounts that separate into mic clips. We found the SCX25As to be refreshingly flat in their frequency response without sounding dull, capturing the fullness of the instrument but not overaccentuating any particular range. Since they exhibit minimal proximity effect and feature a full-range frequency response, we also found these microphones did an excellent job capturing other acoustic instruments as well as electric guitars.<\/p>\n<p>\u2013Doug Doppler<\/p>\n<p><b>AudixUSA.com<\/b><\/p>\n<p><b>\u00a0<\/b><\/p>\n","protected":false},"excerpt":{"rendered":"<p>AUDIX SCX25A MICROPHONE Phenomenal piano sound\u00a0 Capturing piano is challenging especially during live performances. The Audix SCX25A-PS large diaphragm studio condenser mic kit we reviewed comes with a pair of SCX25As and two piano mounts that separate into mic clips. We found the SCX25As to be refreshingly flat in their frequency response without sounding dull, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[9],"tags":[7389,7390,4803],"_links":{"self":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/12211"}],"collection":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/comments?post=12211"}],"version-history":[{"count":1,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/12211\/revisions"}],"predecessor-version":[{"id":12213,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/12211\/revisions\/12213"}],"wp:attachment":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/media?parent=12211"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/categories?post=12211"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/tags?post=12211"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}