{"id":1133,"date":"2010-08-17T18:10:01","date_gmt":"2010-08-18T01:10:01","guid":{"rendered":"https:\/\/mmusicmag.com\/m\/?p=1133"},"modified":"2010-08-17T18:10:01","modified_gmt":"2010-08-18T01:10:01","slug":"albert-castiglia-keepin%e2%80%99-on","status":"publish","type":"post","link":"https:\/\/mmusicmag.com\/m\/2010\/08\/albert-castiglia-keepin%e2%80%99-on\/","title":{"rendered":"ALBERT CASTIGLIA + Keepin\u2019 On"},"content":{"rendered":"<p><strong><a href=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2010\/08\/Keepin-On-M-Review-JulyAugust2010.jpg\"><img loading=\"lazy\" class=\"alignleft size-full wp-image-1134\" title=\"Keepin-On-M-Review-JulyAugust2010\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2010\/08\/Keepin-On-M-Review-JulyAugust2010.jpg\" alt=\"Keepin\u2019 On\" width=\"400\" height=\"250\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2010\/08\/Keepin-On-M-Review-JulyAugust2010.jpg 400w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2010\/08\/Keepin-On-M-Review-JulyAugust2010-300x187.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/a>A<\/strong><strong>LBERT CASTIGLIA<\/strong><\/p>\n<p><strong><em>Keepin\u2019 On <\/em><\/strong><\/p>\n<p><a href=\"http:\/\/albertcastiglia.com\" target=\"_blank\">albertcastiglia.com<\/a><\/p>\n<p>On his aptly titled fourth album, Castiglia, a Cuban-American guitar slinger, walks the line between traditional treatments and contemporary reinvention. His back-to-basics approach follows in the footsteps of those who fostered the blues in the Mississippi Delta and the smoky late-night haunts of Chicago. Castiglia\u2019s muscular style is reflected in the fluid fretwork of \u201cCadillac Assembly Line,\u201d the guttural growl of \u201cKeep On Keepin\u2019 On,\u201d the brash boogie of \u201cGoin\u2019 Upstairs\u201d and the bottleneck blues of his own \u201cSweet Southern Angel.\u201d Five of the songs are credited to Castiglia\u2014others come courtesy of Bob Dylan, John Lee Hooker, T-Bone Walker and Peter Green\u2014but the artist asserts his authenticity and authority throughout <em>Keepin\u2019 On<\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>ALBERT CASTIGLIA Keepin\u2019 On albertcastiglia.com On his aptly titled fourth album, Castiglia, a Cuban-American guitar slinger, walks the line between traditional treatments and contemporary reinvention. His back-to-basics approach follows in the footsteps of those who fostered the blues in the Mississippi Delta and the smoky late-night haunts of Chicago. Castiglia\u2019s muscular style is reflected in [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[14],"tags":[700,702,196,10159,623,701],"_links":{"self":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/1133"}],"collection":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/comments?post=1133"}],"version-history":[{"count":1,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/1133\/revisions"}],"predecessor-version":[{"id":1135,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/1133\/revisions\/1135"}],"wp:attachment":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/media?parent=1133"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/categories?post=1133"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/tags?post=1133"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}