{"id":1107,"date":"2010-08-17T15:03:30","date_gmt":"2010-08-17T22:03:30","guid":{"rendered":"https:\/\/mmusicmag.com\/m\/?p=1107"},"modified":"2010-08-17T15:03:47","modified_gmt":"2010-08-17T22:03:47","slug":"stevie-ray-vaughan-and-double-trouble-couldn%e2%80%99t-stand-the-weather","status":"publish","type":"post","link":"https:\/\/mmusicmag.com\/m\/2010\/08\/stevie-ray-vaughan-and-double-trouble-couldn%e2%80%99t-stand-the-weather\/","title":{"rendered":"STEVIE RAY VAUGHAN AND DOUBLE TROUBLE + Couldn\u2019t Stand the Weather"},"content":{"rendered":"<p><strong><a href=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2010\/08\/Couldnt-stand-the-Weather-M-Review-JulyAugust2010.jpg\"><img loading=\"lazy\" class=\"alignleft size-full wp-image-1108\" title=\"Couldnt-stand-the-Weather-M-Review-JulyAugust2010\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2010\/08\/Couldnt-stand-the-Weather-M-Review-JulyAugust2010.jpg\" alt=\"Couldn\u2019t Stand the Weather\" width=\"400\" height=\"250\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2010\/08\/Couldnt-stand-the-Weather-M-Review-JulyAugust2010.jpg 400w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2010\/08\/Couldnt-stand-the-Weather-M-Review-JulyAugust2010-300x187.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/a>REISSUE REVIEW<\/strong><\/p>\n<p><strong>S<\/strong><strong>TEVIE RAY VAUGHAN AND DOUBLE TROUBLE <\/strong><\/p>\n<p><strong><em>Couldn\u2019t Stand the Weather (Legacy Edition) <\/em><\/strong><\/p>\n<p>[Sony Legacy]<\/p>\n<p>The first album by Stevie Ray Vaughan and Double Trouble, 1983\u2019s <em>Texas Flood<\/em>, was recorded on the fly using borrowed studio time. The follow-up was a very different story\u2014the group headed for New York City to record for six weeks at the Power Station, where Vaughan had laid down his stinging guitar solos on David Bowie\u2019s <em>Let\u2019s Dance<\/em> album the year before. But the relative luxury didn\u2019t dim the grit and fire of Vaughan, bass player Tommy Shannon and drummer Chris \u201cWhipper\u201d Layton\u2014fueled by a year and a half of steady touring, they tore into the songs on <em>Couldn\u2019t Stand the Weather<\/em> like a thick steak. They built on the strengths of <em>Texas Flood<\/em>, broadening their horizons into rock and jazz while maintaining a steady grounding in the blues. The first half of this two-disc reissue adds 11 unreleased studio tracks to the original album. Only three are previously unreleased (the remainder were spread across the posthumous <em>The Sky Is Crying<\/em> album and a previous reissue), but gathering them all in one place nonetheless demonstrates the fruitfulness of the sessions. A second disc sports a previously unreleased show from August 1984 that finds the group in top form, confidently giving more than half the set list over to songs from <em>Weather<\/em>. Vaughan\u2019s slim catalog has been sliced and diced perhaps more than was necessary in the two decades since his death, but this presentation is a worthy reappraisal of his genius at the moment it reached full flower. \u2013CN<\/p>\n","protected":false},"excerpt":{"rendered":"<p>REISSUE REVIEW STEVIE RAY VAUGHAN AND DOUBLE TROUBLE Couldn\u2019t Stand the Weather (Legacy Edition) [Sony Legacy] The first album by Stevie Ray Vaughan and Double Trouble, 1983\u2019s Texas Flood, was recorded on the fly using borrowed studio time. The follow-up was a very different story\u2014the group headed for New York City to record for six [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[17],"tags":[196,679,623,680,681,678],"_links":{"self":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/1107"}],"collection":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/comments?post=1107"}],"version-history":[{"count":2,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/1107\/revisions"}],"predecessor-version":[{"id":1110,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/1107\/revisions\/1110"}],"wp:attachment":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/media?parent=1107"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/categories?post=1107"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/tags?post=1107"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}