{"id":10927,"date":"2013-09-13T10:25:39","date_gmt":"2013-09-13T17:25:39","guid":{"rendered":"https:\/\/mmusicmag.com\/m\/?p=10927"},"modified":"2013-09-13T10:25:59","modified_gmt":"2013-09-13T17:25:59","slug":"karnivool","status":"publish","type":"post","link":"https:\/\/mmusicmag.com\/m\/2013\/09\/karnivool\/","title":{"rendered":"KARNIVOOL"},"content":{"rendered":"<p><b><img loading=\"lazy\" class=\"alignleft size-full wp-image-10928\" alt=\"KARNIVOOL-M-Review-No29\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2013\/09\/KARNIVOOL-M-Review-No29.jpg\" width=\"400\" height=\"250\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2013\/09\/KARNIVOOL-M-Review-No29.jpg 400w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2013\/09\/KARNIVOOL-M-Review-No29-300x187.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/>KARNIVOOL<\/b><\/p>\n<h1><b><i>Asymmetry<\/i><\/b><\/h1>\n<p>karnivool.com<\/p>\n<p>Proggy hard rock is alive and well in the Land of Oz. On their third album, this Aussie quintet makes a fussy, fidgety racket, fashioning epic jams from disparate parts. Like Tool before them, Karnivool shift from slashing to serene with remarkable ease, and in a neat bit of, well, symmetry, <i>Asymmetry<\/i> works best when the band is at its most asymmetrical and disjointed. Whereas seven-minute-plus steady-burners \u201cSky Machine\u201d and \u201cAlpha\u201d tend to drag, the more dynamic likes of \u201cNachash\u201d and \u201cThe Refusal\u201d exemplify what these expert players can achieve when they get worked up. The fastest bits of \u201cA.M. War\u201d might give Thom Yorke a blueprint for his eventual trash-metal side project.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>KARNIVOOL Asymmetry karnivool.com Proggy hard rock is alive and well in the Land of Oz. On their third album, this Aussie quintet makes a fussy, fidgety racket, fashioning epic jams from disparate parts. Like Tool before them, Karnivool shift from slashing to serene with remarkable ease, and in a neat bit of, well, symmetry, Asymmetry [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[14],"tags":[196,7164,10159,7093,7163,7165],"_links":{"self":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/10927"}],"collection":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/comments?post=10927"}],"version-history":[{"count":3,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/10927\/revisions"}],"predecessor-version":[{"id":10931,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/10927\/revisions\/10931"}],"wp:attachment":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/media?parent=10927"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/categories?post=10927"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/tags?post=10927"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}