{"id":10915,"date":"2013-09-13T10:21:21","date_gmt":"2013-09-13T17:21:21","guid":{"rendered":"https:\/\/mmusicmag.com\/m\/?p=10915"},"modified":"2013-09-13T10:21:32","modified_gmt":"2013-09-13T17:21:32","slug":"cuttooth","status":"publish","type":"post","link":"https:\/\/mmusicmag.com\/m\/2013\/09\/cuttooth\/","title":{"rendered":"CUTTOOTH"},"content":{"rendered":"<p><b><a href=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2013\/09\/CUTTOOTH-M-Review-No29.jpg\"><img loading=\"lazy\" class=\"alignleft size-full wp-image-10916\" alt=\"CUTTOOTH-M-Review-No29\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2013\/09\/CUTTOOTH-M-Review-No29.jpg\" width=\"400\" height=\"250\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2013\/09\/CUTTOOTH-M-Review-No29.jpg 400w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2013\/09\/CUTTOOTH-M-Review-No29-300x187.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><\/a>CUTTOOTH<\/b><\/p>\n<h1><b><i>Cuttooth<\/i><\/b><\/h1>\n<p>facebook.com\/CuttoothUK<\/p>\n<p>There\u2019s a reason no one raps over self-styled \u201cweird hip-hop\u201d producer Nick Cooke\u2019s beats. The barbiturate pacing and blissed-out synths on this, the U.K. artist\u2019s sophomore record, are simply too delicate, and propping rhymes atop music this gauzily gorgeous would be like putting buildings on clouds. That said, singing suits the tunes just fine, and on \u201cOld Tape Machine\u201d and \u201cPeace\u201d\u2014featuring dreamy female vocals from King Midas Sound\u2019s Kiki Hitomi and fellow Newcastle resident Bridie Jackson, respectively\u2014Cooke gets sensual and exotic on what are essentially trip-hop James Bond themes. Elsewhere, he comes with an even lighter touch, like he\u2019s hitting his sampler keys with a feather.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>CUTTOOTH Cuttooth facebook.com\/CuttoothUK There\u2019s a reason no one raps over self-styled \u201cweird hip-hop\u201d producer Nick Cooke\u2019s beats. The barbiturate pacing and blissed-out synths on this, the U.K. artist\u2019s sophomore record, are simply too delicate, and propping rhymes atop music this gauzily gorgeous would be like putting buildings on clouds. That said, singing suits the tunes [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[14],"tags":[196,7156,7157,10159,7093],"_links":{"self":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/10915"}],"collection":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/comments?post=10915"}],"version-history":[{"count":2,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/10915\/revisions"}],"predecessor-version":[{"id":10918,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/10915\/revisions\/10918"}],"wp:attachment":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/media?parent=10915"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/categories?post=10915"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/tags?post=10915"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}