{"id":10862,"date":"2013-09-13T09:41:49","date_gmt":"2013-09-13T16:41:49","guid":{"rendered":"https:\/\/mmusicmag.com\/m\/?p=10862"},"modified":"2013-09-13T09:42:20","modified_gmt":"2013-09-13T16:42:20","slug":"apogee-one-2","status":"publish","type":"post","link":"https:\/\/mmusicmag.com\/m\/2013\/09\/apogee-one-2\/","title":{"rendered":"Apogee One"},"content":{"rendered":"<h3><img loading=\"lazy\" class=\"alignleft size-full wp-image-10863\" alt=\"Apogee-One-Top-Gear-Issue-No29\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2013\/09\/Apogee-One-Top-Gear-Issue-No29.jpg\" width=\"660\" height=\"440\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2013\/09\/Apogee-One-Top-Gear-Issue-No29.jpg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2013\/09\/Apogee-One-Top-Gear-Issue-No29-300x200.jpg 300w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><\/h3>\n<h3><b><b>Apogee One<\/b><\/b><\/h3>\n<h1><b>RECORDING ON THE GO<\/b><\/h1>\n<p>The pocket-size <b>Apogee One <\/b>is a pro recording engineer\u2019s Swiss army knife. Featuring Apogee\u2019s world-class 24-bit\/96 kHz digital converters and excellent input options, the redesigned Apogee One provides astonishing results to anyone recording on a laptop or iPad. A breakout cable provides inputs for mic and guitar, and the preamp provides up to 63 decibels of pristine gain. With two channels of simultaneous recording, the One is an excellent interface for songwriters. With a high-quality mic built in, it\u2019s also perfect for those who travel light.<\/p>\n<p>\u2013Phil Selman<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Apogee One RECORDING ON THE GO The pocket-size Apogee One is a pro recording engineer\u2019s Swiss army knife. Featuring Apogee\u2019s world-class 24-bit\/96 kHz digital converters and excellent input options, the redesigned Apogee One provides astonishing results to anyone recording on a laptop or iPad. A breakout cable provides inputs for mic and guitar, and the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[4499],"tags":[10,7093,7124,4500],"_links":{"self":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/10862"}],"collection":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/comments?post=10862"}],"version-history":[{"count":3,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/10862\/revisions"}],"predecessor-version":[{"id":10866,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/10862\/revisions\/10866"}],"wp:attachment":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/media?parent=10862"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/categories?post=10862"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/tags?post=10862"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}