{"id":10846,"date":"2013-09-13T09:35:50","date_gmt":"2013-09-13T16:35:50","guid":{"rendered":"https:\/\/mmusicmag.com\/m\/?p=10846"},"modified":"2013-09-13T09:35:57","modified_gmt":"2013-09-13T16:35:57","slug":"tom-oberheim-sem-with-midi-to-cv-converter","status":"publish","type":"post","link":"https:\/\/mmusicmag.com\/m\/2013\/09\/tom-oberheim-sem-with-midi-to-cv-converter\/","title":{"rendered":"Tom Oberheim SEM with MIDI to CV Converter"},"content":{"rendered":"<h3><img loading=\"lazy\" class=\"alignleft size-full wp-image-10847\" alt=\"Tom-Oberheim-Top-Gear-Issue-No29\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2013\/09\/Tom-Oberheim-Top-Gear-Issue-No29.jpg\" width=\"660\" height=\"440\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2013\/09\/Tom-Oberheim-Top-Gear-Issue-No29.jpg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2013\/09\/Tom-Oberheim-Top-Gear-Issue-No29-300x200.jpg 300w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><\/h3>\n<h3><b><b>Tom Oberheim SEM with MIDI to CV Converter<\/b><\/b><\/h3>\n<h1><b>OLD-SCHOOL MEETS NEW<\/b><\/h1>\n<p>When analog synthesis icon Tom Oberheim re-emerged on the scene with new SEM models, longtime synth lovers rejoiced. But the CV-only synth module was lost on modern MIDI-based rigs. Enter the updated <b>Tom Oberheim SEM with MIDI to CV Converter<\/b>. The two-oscillator synth module dishes out all of the old-school Oberheim tones, which can be triggered from any standard MIDI keyboard. What\u2019s more, with advanced MIDI integration this SEM allows its oscillators, filter and amplifier to be controlled via velocity, control data or aftertouch.<\/p>\n<p>\u2013Phil Selman<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tom Oberheim SEM with MIDI to CV Converter OLD-SCHOOL MEETS NEW When analog synthesis icon Tom Oberheim re-emerged on the scene with new SEM models, longtime synth lovers rejoiced. But the CV-only synth module was lost on modern MIDI-based rigs. Enter the updated Tom Oberheim SEM with MIDI to CV Converter. The two-oscillator synth module [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[4499],"tags":[7118,7093,3241,7117,7116,4500],"_links":{"self":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/10846"}],"collection":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/comments?post=10846"}],"version-history":[{"count":2,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/10846\/revisions"}],"predecessor-version":[{"id":10849,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/10846\/revisions\/10849"}],"wp:attachment":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/media?parent=10846"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/categories?post=10846"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/tags?post=10846"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}