{"id":10714,"date":"2013-09-12T11:17:10","date_gmt":"2013-09-12T18:17:10","guid":{"rendered":"https:\/\/mmusicmag.com\/m\/?p=10714"},"modified":"2013-09-12T11:17:10","modified_gmt":"2013-09-12T18:17:10","slug":"ashdown-ctm-15","status":"publish","type":"post","link":"https:\/\/mmusicmag.com\/m\/2013\/09\/ashdown-ctm-15\/","title":{"rendered":"ASHDOWN CTM-15"},"content":{"rendered":"<h1><img loading=\"lazy\" class=\"alignleft size-full wp-image-10715\" alt=\"Ashdown-CTM-15-Gear-Review-Issue-No28\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2013\/09\/Ashdown-CTM-15-Gear-Review-Issue-No28.jpg\" width=\"660\" height=\"440\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2013\/09\/Ashdown-CTM-15-Gear-Review-Issue-No28.jpg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2013\/09\/Ashdown-CTM-15-Gear-Review-Issue-No28-300x200.jpg 300w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/>ASHDOWN CTM-15<\/h1>\n<h2><b>TUBE-FIRED TRACKING AMP<\/b><\/h2>\n<p>While <b>Ashdown<\/b>\u2019s solid-state bass amps rock the world\u2019s biggest stages, their tube amps are a huge hit with recording bass players. Packing more than enough juice for smaller gigs, the new <b>CTM-15<\/b> tube head was specifically developed for the recording world. A straight shot through a three-band EQ, ending at a pair of EL84s, provides pure tube-fired tone at lower wattages. And the onboard VU meter is more than window dressing: Push it into the red, and the CTM-15 goes from bell-like clarity to wooly overdrive.<\/p>\n<p>\u2013Phil Selman<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>ASHDOWN CTM-15 TUBE-FIRED TRACKING AMP While Ashdown\u2019s solid-state bass amps rock the world\u2019s biggest stages, their tube amps are a huge hit with recording bass players. Packing more than enough juice for smaller gigs, the new CTM-15 tube head was specifically developed for the recording world. A straight shot through a three-band EQ, ending at [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[4499],"tags":[7073,6978,4500],"_links":{"self":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/10714"}],"collection":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/comments?post=10714"}],"version-history":[{"count":1,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/10714\/revisions"}],"predecessor-version":[{"id":10716,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/10714\/revisions\/10716"}],"wp:attachment":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/media?parent=10714"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/categories?post=10714"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/tags?post=10714"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}