{"id":10709,"date":"2013-09-12T11:13:30","date_gmt":"2013-09-12T18:13:30","guid":{"rendered":"https:\/\/mmusicmag.com\/m\/?p=10709"},"modified":"2013-09-12T11:14:39","modified_gmt":"2013-09-12T18:14:39","slug":"ibanez-pat-metheny-pm200","status":"publish","type":"post","link":"https:\/\/mmusicmag.com\/m\/2013\/09\/ibanez-pat-metheny-pm200\/","title":{"rendered":"IBANEZ PAT METHENY PM200"},"content":{"rendered":"<h1><b><img loading=\"lazy\" class=\"alignleft size-full wp-image-10710\" alt=\"IBANEZ-Pat-Metheny-PM200-Gear-Review-Issue-No28\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2013\/09\/IBANEZ-Pat-Metheny-PM200-Gear-Review-Issue-No28.jpg\" width=\"660\" height=\"440\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2013\/09\/IBANEZ-Pat-Metheny-PM200-Gear-Review-Issue-No28.jpg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2013\/09\/IBANEZ-Pat-Metheny-PM200-Gear-Review-Issue-No28-300x200.jpg 300w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/>IBANEZ PAT METHENY PM200<\/b><\/h1>\n<h2><b>METHENY\u2019S HOLLOWBODY<\/b><\/h2>\n<p>The <b>Ibanez Pat Metheny PM200<\/b> hollowbody electric guitar is the closest most guitarists can hope to get to playing the master\u2019s personal jazzbox. Made in Japan by Ibanez\u2019s top luthiers, the PM200 features impressive build quality and plays like a dream. A naturally finished, all-maple body bolstered by a custom-carved mahogany neck offers quintessential jazz guitar tone with an old-time look. The PM200 features a single unique Silent 58 humbucker, which delivers the smooth tone of a Super 58 pickup but with an extended tonal range.<\/p>\n<p>\u2013Phil Selman<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>IBANEZ PAT METHENY PM200 METHENY\u2019S HOLLOWBODY The Ibanez Pat Metheny PM200 hollowbody electric guitar is the closest most guitarists can hope to get to playing the master\u2019s personal jazzbox. Made in Japan by Ibanez\u2019s top luthiers, the PM200 features impressive build quality and plays like a dream. A naturally finished, all-maple body bolstered by a [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[4499],"tags":[7072,6978,4500],"_links":{"self":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/10709"}],"collection":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/comments?post=10709"}],"version-history":[{"count":3,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/10709\/revisions"}],"predecessor-version":[{"id":10713,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/10709\/revisions\/10713"}],"wp:attachment":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/media?parent=10709"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/categories?post=10709"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/tags?post=10709"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}