{"id":10693,"date":"2013-09-12T11:03:01","date_gmt":"2013-09-12T18:03:01","guid":{"rendered":"https:\/\/mmusicmag.com\/m\/?p=10693"},"modified":"2013-09-12T11:03:01","modified_gmt":"2013-09-12T18:03:01","slug":"studiologic-sledge","status":"publish","type":"post","link":"https:\/\/mmusicmag.com\/m\/2013\/09\/studiologic-sledge\/","title":{"rendered":"STUDIOLOGIC SLEDGE"},"content":{"rendered":"<h1><b><img loading=\"lazy\" class=\"alignleft size-full wp-image-10694\" alt=\"STUDIOLOGIC-SLEDGE-Gear-Review-Issue-No28\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2013\/09\/STUDIOLOGIC-SLEDGE-Gear-Review-Issue-No28.jpg\" width=\"660\" height=\"440\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2013\/09\/STUDIOLOGIC-SLEDGE-Gear-Review-Issue-No28.jpg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2013\/09\/STUDIOLOGIC-SLEDGE-Gear-Review-Issue-No28-300x200.jpg 300w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/>STUDIOLOGIC SLEDGE<\/b><\/h1>\n<h2><b>SUPER SYNTH<\/b><\/h2>\n<p>With 35 tweakable knobs and a five-octave Fatar TP\/9 keybed onboard, the <b>Studiologic Sledge<\/b> digital synthesizer is a feast for the fingertips. It\u2019s built around an analog layout and fueled by a Waldorf sound engine loaded with digital wavetables from the legendary PPG Wave. A trio of oscillators and full subtractive synthesis controls provide a solid foundation for massive stacks, complex atmospherics and everything in between. With its FM capabilities, advanced modulation functions, and Waldorf filters, no sound is out of reach for the Sledge.<\/p>\n<p>\u2013Phil Selman<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>STUDIOLOGIC SLEDGE SUPER SYNTH With 35 tweakable knobs and a five-octave Fatar TP\/9 keybed onboard, the Studiologic Sledge digital synthesizer is a feast for the fingertips. It\u2019s built around an analog layout and fueled by a Waldorf sound engine loaded with digital wavetables from the legendary PPG Wave. A trio of oscillators and full subtractive [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[4499],"tags":[6978,7068,4500],"_links":{"self":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/10693"}],"collection":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/comments?post=10693"}],"version-history":[{"count":2,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/10693\/revisions"}],"predecessor-version":[{"id":10696,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/10693\/revisions\/10696"}],"wp:attachment":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/media?parent=10693"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/categories?post=10693"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/tags?post=10693"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}