{"id":10546,"date":"2013-08-12T11:13:33","date_gmt":"2013-08-12T18:13:33","guid":{"rendered":"https:\/\/mmusicmag.com\/m\/?p=10546"},"modified":"2013-08-12T11:13:33","modified_gmt":"2013-08-12T18:13:33","slug":"the-happy-hollows","status":"publish","type":"post","link":"https:\/\/mmusicmag.com\/m\/2013\/08\/the-happy-hollows\/","title":{"rendered":"THE HAPPY HOLLOWS"},"content":{"rendered":"<h1><b><img loading=\"lazy\" class=\"alignleft size-full wp-image-10547\" alt=\"THE-HAPPY-HOLLOWS-M-Review-No28\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2013\/08\/THE-HAPPY-HOLLOWS-M-Review-No28.jpg\" width=\"400\" height=\"250\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2013\/08\/THE-HAPPY-HOLLOWS-M-Review-No28.jpg 400w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2013\/08\/THE-HAPPY-HOLLOWS-M-Review-No28-300x187.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/>THE HAPPY HOLLOWS<\/b><\/h1>\n<p><b><i>Amethyst<\/i><\/b><\/p>\n<p>thehappyhollows.blogspot.com<\/p>\n<p>In just one album, this female-fronted L.A. trio has done what it took similarly staffed East Coast superstars the Yeah Yeah Yeahs three records to pull off. They\u2019ve gone from making garage rock to synth-pop, and while their transition has been less spectacular\u2014they were never as explosive as the YYYs, and they\u2019re not as experimental now\u2014the change has been for the best. On tunes like \u201cHawaii\u201d and \u201cStop the World,\u201d the Hollows tap into Southern California\u2019s long-standing love of gothy pop, imagining the Bangles or Go-Go\u2019s on a Siouxsie and the Banshees tear. On \u201cGalaxies,\u201d frontwoman Sarah Negahdari sings of comets and planets, bringing some cosmic West Coast daffiness to the party.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>THE HAPPY HOLLOWS Amethyst thehappyhollows.blogspot.com In just one album, this female-fronted L.A. trio has done what it took similarly staffed East Coast superstars the Yeah Yeah Yeahs three records to pull off. They\u2019ve gone from making garage rock to synth-pop, and while their transition has been less spectacular\u2014they were never as explosive as the YYYs, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[14],"tags":[196,7000,10159,6978,6999],"_links":{"self":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/10546"}],"collection":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/comments?post=10546"}],"version-history":[{"count":1,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/10546\/revisions"}],"predecessor-version":[{"id":10548,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/10546\/revisions\/10548"}],"wp:attachment":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/media?parent=10546"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/categories?post=10546"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/tags?post=10546"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}