{"id":10514,"date":"2013-08-12T10:59:49","date_gmt":"2013-08-12T17:59:49","guid":{"rendered":"https:\/\/mmusicmag.com\/m\/?p=10514"},"modified":"2013-08-12T10:59:49","modified_gmt":"2013-08-12T17:59:49","slug":"firehorse","status":"publish","type":"post","link":"https:\/\/mmusicmag.com\/m\/2013\/08\/firehorse\/","title":{"rendered":"FIREHORSE"},"content":{"rendered":"<h1><b><img loading=\"lazy\" class=\"alignleft size-full wp-image-10515\" alt=\"FIREHORSE-M-Review-No28\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2013\/08\/FIREHORSE-M-Review-No28.jpg\" width=\"400\" height=\"250\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2013\/08\/FIREHORSE-M-Review-No28.jpg 400w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2013\/08\/FIREHORSE-M-Review-No28-300x187.jpg 300w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/>FIREHORSE<\/b><\/h1>\n<p><b><i>Pills From Strangers<\/i><\/b><\/p>\n<p>thisisfirehorse.com<\/p>\n<p>Brooklyn singer-songwriter Leah Siegel climbs back in the Firehorse saddle for this, a seven-song sophomore set spanning artsy electro-pop to acoustic folk and the sublimely Spartan drum-and-vocal sketch \u201cAny Other Day.\u201d Siegel goes \u201cDoves Cry\u201d\u2013era Prince on \u201cGood,\u201d underselling with the title.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>FIREHORSE Pills From Strangers thisisfirehorse.com Brooklyn singer-songwriter Leah Siegel climbs back in the Firehorse saddle for this, a seven-song sophomore set spanning artsy electro-pop to acoustic folk and the sublimely Spartan drum-and-vocal sketch \u201cAny Other Day.\u201d Siegel goes \u201cDoves Cry\u201d\u2013era Prince on \u201cGood,\u201d underselling with the title. &nbsp;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[14],"tags":[196,10159,6978,6979,6980],"_links":{"self":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/10514"}],"collection":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/comments?post=10514"}],"version-history":[{"count":1,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/10514\/revisions"}],"predecessor-version":[{"id":10516,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/10514\/revisions\/10516"}],"wp:attachment":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/media?parent=10514"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/categories?post=10514"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/tags?post=10514"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}