{"id":10156,"date":"2013-06-26T09:04:27","date_gmt":"2013-06-26T16:04:27","guid":{"rendered":"https:\/\/mmusicmag.com\/m\/?p=10156"},"modified":"2013-06-26T09:04:27","modified_gmt":"2013-06-26T16:04:27","slug":"korg-ms-20-mini","status":"publish","type":"post","link":"https:\/\/mmusicmag.com\/m\/2013\/06\/korg-ms-20-mini\/","title":{"rendered":"KORG MS-20 MINI"},"content":{"rendered":"<h1><img loading=\"lazy\" class=\"alignnone size-full wp-image-10157\" alt=\"KORG-Top-Gear-Issue-No26\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2013\/06\/KORG-Top-Gear-Issue-No26.jpg\" width=\"660\" height=\"440\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2013\/06\/KORG-Top-Gear-Issue-No26.jpg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2013\/06\/KORG-Top-Gear-Issue-No26-300x200.jpg 300w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><\/h1>\n<h1>KORG MS-20 MINI<\/h1>\n<p><b>\u2019<\/b><b>70<\/b><b>S ANALOG FOR THE FUTURE<\/b><\/p>\n<p>There have been several iterations of the <b>Korg<\/b> MS-20 since its debut in 1978, but none as innovative as the <b>MS-20<\/b> <b>Mini<\/b>. At first glance, the size reduction of more than 85 percent is the most obvious new feature of this reissue. Despite its smaller size, the MS-20 Mini offers up the same sweet oscillators as the original, flavored by first-generation filtering, ring modulation and other true-to-original sound shaping. Even the VCA has only been altered slightly for reduced noise. Additionally, the undersized patchbay provides a new external signal processing section missing from the original model, and both MIDI and USB connectivity open up whole new worlds of integration into more complex DAW and keyboard rigs.<\/p>\n<p>\u2013Phil Selman<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>KORG MS-20 MINI \u201970S ANALOG FOR THE FUTURE There have been several iterations of the Korg MS-20 since its debut in 1978, but none as innovative as the MS-20 Mini. At first glance, the size reduction of more than 85 percent is the most obvious new feature of this reissue. Despite its smaller size, the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[4499],"tags":[6372,6808],"_links":{"self":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/10156"}],"collection":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/comments?post=10156"}],"version-history":[{"count":1,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/10156\/revisions"}],"predecessor-version":[{"id":10158,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/10156\/revisions\/10158"}],"wp:attachment":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/media?parent=10156"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/categories?post=10156"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/tags?post=10156"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}