{"id":10142,"date":"2013-06-26T08:54:10","date_gmt":"2013-06-26T15:54:10","guid":{"rendered":"https:\/\/mmusicmag.com\/m\/?p=10142"},"modified":"2013-06-26T08:54:20","modified_gmt":"2013-06-26T15:54:20","slug":"bock-audio-ifet","status":"publish","type":"post","link":"https:\/\/mmusicmag.com\/m\/2013\/06\/bock-audio-ifet\/","title":{"rendered":"BOCK AUDIO IFET"},"content":{"rendered":"<h1><img loading=\"lazy\" class=\"alignnone size-full wp-image-10143\" alt=\"BOCK-Top-Gear-Issue-No26\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2013\/06\/BOCK-Top-Gear-Issue-No26.jpg\" width=\"660\" height=\"440\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2013\/06\/BOCK-Top-Gear-Issue-No26.jpg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2013\/06\/BOCK-Top-Gear-Issue-No26-300x200.jpg 300w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/><\/h1>\n<h1>BOCK AUDIO IFET<\/h1>\n<p><b>IDEAL VINTAGE AND MODERN TONE<\/b><\/p>\n<p>The perfect choice for space-challenged studios with a limited budget for quality condenser mics, the <b>Bock Audio iFet<\/b> more than legitimizes the reputation of this relatively small microphone maker. Wielding two discrete Class A amplification signal paths, the iFet delivers ideal instrument and vocal sound. In V mode, the iFet closely resembles the warm vintage vocal microphones that defined the hit recordings of the 1960s. Conversely, the more neutral I mode extends the iFet\u2019s frequency response and SPL handling.<\/p>\n<p>\u2013Phil Selman<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>BOCK AUDIO IFET IDEAL VINTAGE AND MODERN TONE The perfect choice for space-challenged studios with a limited budget for quality condenser mics, the Bock Audio iFet more than legitimizes the reputation of this relatively small microphone maker. Wielding two discrete Class A amplification signal paths, the iFet delivers ideal instrument and vocal sound. In V [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[4499],"tags":[6798,6797,6796,6372],"_links":{"self":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/10142"}],"collection":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/comments?post=10142"}],"version-history":[{"count":2,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/10142\/revisions"}],"predecessor-version":[{"id":10145,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/10142\/revisions\/10145"}],"wp:attachment":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/media?parent=10142"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/categories?post=10142"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/tags?post=10142"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}