{"id":10118,"date":"2013-06-26T08:23:52","date_gmt":"2013-06-26T15:23:52","guid":{"rendered":"https:\/\/mmusicmag.com\/m\/?p=10118"},"modified":"2013-06-26T08:24:22","modified_gmt":"2013-06-26T15:24:22","slug":"hammond-sk1","status":"publish","type":"post","link":"https:\/\/mmusicmag.com\/m\/2013\/06\/hammond-sk1\/","title":{"rendered":"HAMMOND SK1"},"content":{"rendered":"<h1><b><img loading=\"lazy\" class=\"alignnone size-full wp-image-10119\" alt=\"HAMMOND-Top-Gear-Issue-No26\" src=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2013\/06\/HAMMOND-Top-Gear-Issue-No26.jpg\" width=\"660\" height=\"440\" srcset=\"https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2013\/06\/HAMMOND-Top-Gear-Issue-No26.jpg 660w, https:\/\/mmusicmag.com\/m\/wp-content\/uploads\/2013\/06\/HAMMOND-Top-Gear-Issue-No26-300x200.jpg 300w\" sizes=\"(max-width: 660px) 100vw, 660px\" \/>HAMMOND SK1<\/b><\/h1>\n<p><b>ORGAN PERFECTION FOR KEYBOARDISTS<\/b><\/p>\n<p>There are plenty of fine keyboards with passable organ sounds, but only a few organs with good auxiliary instrument sounds. Among them, the <b>Hammond SK1<\/b> stands alone. Built around the sound of the world-famous B-3 tonewheel organ, the SK1 features real drawbars that provide tactile control any organist demands. Loaded with impressive emulations of Rhodes and Wurlitzer EPs, Clavinets, Farf combos, church pipe organ sounds, and more\u2014all bolstered by amazing effects\u2014this is one organ that any keyboard player can truly appreciate.<\/p>\n<p>\u2013Phil Selman<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>HAMMOND SK1 ORGAN PERFECTION FOR KEYBOARDISTS There are plenty of fine keyboards with passable organ sounds, but only a few organs with good auxiliary instrument sounds. Among them, the Hammond SK1 stands alone. Built around the sound of the world-famous B-3 tonewheel organ, the SK1 features real drawbars that provide tactile control any organist demands. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[4499],"tags":[6785,6783,6784,6778,6372,6779,6780,6781,6782],"_links":{"self":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/10118"}],"collection":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/comments?post=10118"}],"version-history":[{"count":2,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/10118\/revisions"}],"predecessor-version":[{"id":10121,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/posts\/10118\/revisions\/10121"}],"wp:attachment":[{"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/media?parent=10118"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/categories?post=10118"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mmusicmag.com\/m\/wp-json\/wp\/v2\/tags?post=10118"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}