Posts tagged with "No26"

ROD STEWART

ROD STEWART Time [Capitol] After a decade of lucrative, critically unloved covers records—five Great American Songbook sets, plus collections of rock and soul chestnuts—Rod Stewart has finally gone back to writing songs. The impetus, he’s said, was his 2012 autobiography, which got him thinking back, taking stock, and basically doing what rock stars do when they research a certain age. With Time, the 68-year-old superstar sings his life in 12... 

BRAD PAISLEY

BRAD PAISLEY Wheelhouse  [Arista Nashville] Since upping the ante with the musically and lyrically progressive American Saturday Night in 2009, Brad Paisley has positioned himself as a guitar-slinging messiah sent here to abolish a rift between red and blue states. He directly addresses that divide multiple times on Wheelhouse, a hodgepodge of pop culture references and patriotic salutes. On the bluesy “Accidental Racist,” notable for a bizarre... 

TRICKY

TRICKY False Idols [False Idols] It’s been 18 years since Tricky released Maxinquaye, the trip-hop masterpiece that expanded that genre’s parameters. Nine albums later, he’s still trying to top it. The British producer, vocalist and multi-instrumentalist named his second album Pre-Millennium Tension, and he’s been working that theme, more or less, ever since. False Idols hits all the usual signposts: densely layered beats, gritty dance rhythms,... 

MUDHONEY

MUDHONEY Vanishing Point [Sub Pop] As a grunge revival quakes among younger bands, Mudhoney is still rumbling on with the abrasive sound that has served them since Seattle was the center of the alt-rock world. They’ve consistently turned out corrosive guitar records, and their ninth studio effort reflects a keenly focused ferocity. They’ve reined in their trademark overdriven guitars, and yet on these tight, targeted songs, singer Mark Arm’s... 

IGGY & THE STOOGES

IGGY & THE STOOGES Ready to Die [Fat Possum] Forty years after James Williamson last contributed to a Stooges album, the guitarist makes his presence known right away on the band’s latest. Opener “Burn” uncorks with the crack of a drum and is immediately overrun with a tidal-wave riff that’s loud, dirty and dangerous—everything that’s always been great about the Stooges. There’s plenty of that on Ready to Die, an album whose best... 

VAMPIRE WEEKEND

VAMPIRE WEEKEND Modern Vampires of the City  [XL Recordings] Vampire Weekend’s third album expands its varied repertoire with a musical valentine to their hometown of New York City. Set to liquid chords and languid rhythms, the band’s serious-minded lyrics center on the trials of 20-something life. The band incorporates numerous sounds, from rubbery bass on the mod-rockabilly number “Diane Young” to Hammond organ on the Beach Boys-inspired... 

TODD RUNDGREN

TODD RUNDGREN State [Esoteric Antenna/Cherry Red] Following a recent release that delved into hard rock, fearsome blues and radically redefined versions of seminal songs he produced for others, State finds Rundgren testing his parameters yet again. Chameleon-like by nature, Rundgren revisits the synthesized setups and exotic experimentation that once marked his work with Utopia and later colored solo albums like The Individualist and Nearly Human.... 

GOO GOO DOLLS

GOO GOO DOLLS Magnetic [Warner Bros.] Last time out, on 2010’s Something for the Rest of Us, the Goo Goo Dolls went deep, singing about paralyzed war veterans, the plight of the 99 percent and other bummer subjects far removed from the misunderstood soul who pined for true love in “Iris.” For their 10th album, Magnetic, frontman John Rzeznik returns to familiar territory, penning inspirational tunes with titles like “Bulletproof Angel.”... 

THE POSTAL SERVICE

THE POSTAL SERVICE Give Up: Deluxe 10th Anniversary Edition  [Sub Pop] The two biggest sellers in Sub Pop’s history reveal some of the key differences between the generation that raged along with grunge in the early ’90s and the one that took solace in emo in the early ’00s. Whereas Nirvana’s Bleach, which dropped in 1989 but didn’t really hit until a few years later, is caustic and vague—notable less for what Kurt Cobain said than for... 

SHE & HIM

SHE & HIM Volume 3 [Merge] She & Him—vocalist Zooey Deschanel and producer/guitarist M. Ward—concoct a vibrant spirit on this charming, if kitschy, collection of lo-fi psychedelic pop. Deschanel wrote 11 of the 14 songs, most of which deal with the hardships of new love. Her roll-with-the-punches performance, full of innocent sighs and moody expressions, throbs with ache. On “London,” an abstract, hypnotic piano ballad, she adds shades... 

STEVE EARLE & THE DUKES (& DUCHESSES)

STEVE EARLE & THE DUKES (& DUCHESSES) The Low Highway [New West] Though not exactly a New Orleans record, Steve Earle’s latest has a distinct Big Easy flavor. In part, that’s because Earle wrote three of the songs for the HBO series Treme, on which he played a street musician. There’s zydeco-style accordion on “That All You Got?”, and jaunty bayou fiddle on “Love’s Gonna Blow My Way,” and the titular reference of “After Mardi... 

THE PASTELS

THE PASTELS Slow Summits [Domino] Though they haven’t released an official album in 16 years, the Pastels haven’t kept silent. A film soundtrack in 2003 and collaboration with the Japanese band Tenniscoats in 2009 helped the band to evolve its sound, as has a continuously revolving line-up. With Slow Summits, the Pastels’ move from shambolic rock to subdued, off-kilter pop seems complete. Their sound has changed shape, and the thinned-out guitars... 

SOUND CITY

SOUND CITY [RCA] Dave Grohl’s directorial debut centers on the titular studio—the defunct Southern California facility where Nirvana cut Nevermind and countless other artists did some of their finest work—but that’s not really what this film is about. On a micro level, it’s about “the Neve,” an analog recording console purchased by Sound City’s owners in 1973 for the then-princely sum of $75,000. If Grohl and his buddies—an impressive... 

ÓLÖF ARNALDS

ÓLÖF ARNALDS Sudden Elevation [One Little Indian] Ólöf Arnalds embraces subtlety in her mixes, even as she creates more complex works. On her third solo album and first entirely in English, the Icelandic singer-songwriter exercises tremendous restraint in her arrangements, and initial listens don’t reveal how much has been seamlessly integrated under the fingerpicked guitars. Arnalds’ classical training is apparent in the sparse string arrangements... 

THE BRYAN FERRY ORCHESTRA

THE BRYAN FERRY ORCHESTRA The Jazz Age [BMG] Bryan Ferry is no stranger to albums filled with cover songs. But The Jazz Age, credited to the Bryan Ferry Orchestra, is something different: 13 songs, spanning Roxy Music’s first single to Ferry’s most recent solo album, done in the style of 1920s jazz. It’s so lovingly and faithfully recreated that you’re half expecting the clicks and pops of vintage 78s on these lo-fi mono recordings. The Jazz... 

THE THERMALS

THE THERMALS Signed and Sealed in Blood [Domino] The sixth album from this Portland pop-punk trio sees a return to the kinds of scratchy vocals and trebly guitar strains heard in its earlier work. Freshly signed to Saddle Creek, the band wastes little time getting down to business. “Born to Kill” opens with Hutch Harris simultaneously striking his first guitar note and declaring, “I was born to kill / I was made to slay / unafraid to spill blood... 

AMY SPEACE

AMY SPEACE How to Sleep in a Stormy Boat amyspeace.com In the lead-up to her latest, Amy Speace lost some things—love, judging from the lyrics, and also her voice, thanks to a bout with acute laryngitis. Still, by virtue of being alive and having the friends, family and emotional toughness to muddle on, for better or worse, this Nashville-based singer-songwriter considers herself among the “Fortunate Ones” she sings about on the leadoff track.... 

CERAMIC DOG

CERAMIC DOG Your Turn marcribot.com Best known for working with two of the greatest lyricists and most distinctive vocalists of our time—Tom Waits and Elvis Costello—guitarist Marc Ribot doesn’t need to say a word. He sings plenty on this, the second album by his trio Ceramic Dog, and railing against Mother Nature (“Lies My Body Told Me”) and freeloading MP3 downloaders (“Masters of the Internet”), he’s got some interesting things... 

JOHN MURRY

JOHN MURRY The Graceless Age johnmurry.com On one level, there’s a shuffling, off-the-cuff feel to John Murry’s music. Singing songs about heartache and heroin addiction, he’s got the laid-back strum and rough, jaded delivery of a been-there, took-that, lived-to-tell troubadour. But there’s nothing casual about The Graceless Age, an album of dense, meticulous sonic collages masquerading as alt-country tunes. Murry’s backstory is as cluttered—or... 

THE SHARP THINGS

THE SHARP THINGS Green Is Good thesharpthings.com After six years away, these Brooklyn pop experimentalists emerge from their laboratory flush with new music. This is the first installment of Dogs of Bushwick, a four-album set, and on the series’ title track, singer Perry Serpa describes his need to write songs. “There’s a radio station alive in my head,” he sings. “There’s a radio station that’s driving me mad.” At least the DJs have... 

CHARLES WALKER & THE DYNAMITES

CHARLES WALKER & THE DYNAMITES Love Is Only Everything thedynamites.net Pair a 70-something soul survivor with a pack of reverent young virtuosos, and you’ve got a couple of options. One is to make gritty, lo-fi recordings slavishly indebted to some romanticized past. The other is to admit the times have changed and go slightly more modern, and that’s what Nashville’s Dynamites and their veteran frontman do here. Walker was buds with James... 

KING DJANGO

KING DJANGO Anywhere I Roam kingdjango.com For two decades, Stubborn Records founder Jeff “King Django” Baker has kept the East Coast safe for ska and traditional Jamaican music. Here, the singer, songwriter, producer and multi-instrumentalist pulls together a dozen tracks cut with friends and associates, and while all feature variations of the island’s distinctive offbeat bounce, Django keeps things as diverse as possible. In addition to swift,... 

SANDERS BOHLKE

SANDERS BOHLKE Ghost Boy sandersbohlke.com No amount of sonic ambiance—not amplifier hiccups, feedback blasts, cello hums or eerily childlike piano tinkling—can distract from the sentiments driving Sanders Bohlke’s music. On his first album in seven years, this 21st century Southern folkie threads together songs of love and Armageddon, promising, “I’ll rip your heart out like you want me to” on one track, then observing, “The devil is... 

JELLO BIAFRA

JELLO BIAFRA White People and the Damage Done alternativetentacles.com No surprises here: “Werewolves of Wall Street,” “Mid-East Peace Process,” and the title track are about exactly what their titles suggest, and as anyone familiar with Biafra’s oeuvre might guess, these and others are irreverent hardcore ragers informed by pop, surf rock and even circus music. Biafra has been flinging these goofball grenades since the ’70s, when he was... 

PALENKE SOULTRIBE

PALENKE SOULTRIBE MAR palenkesoultribe.com There’s a tune here called “This Song Is for Whoever Feels Lonely,” and those eight words might preface any of the dozen tracks on this album. On the second part in a planned trilogy, this Colombian-born, L.A.-based electronic duo aims for inclusiveness at the risk of abrasiveness, honoring Old World traditions by completely uprooting them. Hip-hop, pop and EDM fans will dig the synthetic squiggles,... 

THE REV. JIMMIE BRATCHER

THE REV. JIMMIE BRATCHER Secretly Famous jimmiebratcher.com The God-versus-devil dynamic one might expect from a Midwestern preacher who’s also an ace blues guitarist doesn’t really come into play here, and that’s fine—there are plenty of conflicted souls making the rounds, exorcising demons through music. Bratcher is mostly upbeat on these dozen tunes, and even when he’s not—”When I Fall Apart,” “Nowhere to Go but Down”—he’s... 

TARMAC ADAM

TARMAC ADAM The History Effect tarmacadam.com.au That Tarmac Adam can reform after a decade away and pick up where they left off speaks volumes about their music. Warm, well crafted and slightly adventurous, theirs is a timeless sound reminiscent of ’60s pop, ’70s folk-rock and jangly ’80s indie—and of fellow Aussie rockers Crowded House. In fact, that band’s Nick Seymour sits in on bass, reprising his role from Tarmac’s 2003 debut, but... 

THE SO SO GLOS

THE SO SO GLOS Blowout thesosoglos.com Better known for running (and living in) a series of DIY music venues than for making records, these Brooklyn punks know all about late-night parties, next-day cleanup and the cost-benefit calculation that makes it all worthwhile. And the costs can be high. “It’s never been such a crime to be free,” they holler on “Speakeasy,” a tune about getting hassled by police. While they occasionally tangle with... 

STAN KILLIAN

STAN KILLIAN Evoke stankillian.com On his second set with this quartet, the NYC-via-Texas tenor saxophonist soundtracks his surroundings. The piano on “Kirby” is a mile-a-minute subway chatterer, while guitarist Mike Moreno’s liquid-cool playing is consistently harried and elegant. Killian adds melodic flourish, beauty amid the hustle-bustle.    Read More →

GUNSLINGER

GUNSLINGER Breaking Through thelastgunslinger.com The two DJs—one Californian, the other Portuguese—behind this “rocktronica” act have better taste in electronica than they do in rock, but that’s cool. Slick, mainstream alt-rock pairs nicely with electro-bombast, and if any Soundgarden fans are still unsure about EDM, this is a way in.    Read More →

KENNY ROBY

KENNY ROBY Memories & Birds kennyroby.net On this terrific disc of country-soul laments, Roby battles a host of beastly creatures, some metaphors for love and prejudice, others ugly sides of himself. “The Monster,” meanwhile, might actually be about something lurking in the woods. Scary stuff—but he sings so pretty.    Read More →

ANDY POXON

ANDY POXON Tomorrow andypoxon.com Pay no mind to the ginger afro: Poxon is a serious singer, songwriter, guitarist and arranger. Just 18, he’s absorbed blues, classic R&B and Jerry Lee Lewis rock ’n’ roll. The references scream yesterday, but Tomorrow introduces a guy with a future.    Read More →

THE COPPER GAMINS

THE COPPER GAMINS Los Ninos de Cobre facebook.com/thecoppergamins Whether it’s because Spanish is their first language or lucidity isn’t their principal concern, this pair of Mexican junk-punk bluesmen create songs that are as lyrically dreamlike—often in a jarringly romantic way—as they are musically fierce. The White Stripes meet Gabriel Garcia Marquez.    Read More →
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