HAYES CARLL KMAG YOYO (& Other American Stories) [Lost Highway] Alt-country rising star Hayes Carll crackles with road warrior enlightenment and follows his heart with damn-the-torpedoes political impropriety. KMAG YOYO (a military acronym for “Kiss My Ass Guys, You’re On Your Own”) finds the Texas native wearing many of his influences on his sleeve. “Stomp and Holler” could easily be this century’s “Highway 61 Revisited” for its... 

TODD SNIDER Live: The Storyteller [Aimless] “If everything goes particularly well this evening, we can all expect a 90-minute distraction from our impending doom,” proclaims Todd Snider, near the start of this rollicking, talk-heavy two-CD live set. The sentiment captures perfectly Snider’s offhand way of couching life’s hard truths in snappy, sharp-witted lines and images. The Nashville veteran’s studio albums have earned a first-rate reputation—comparisons... 

TENNIS Cape Dory [Fat Possum] The debut album by husband-and-wife duo Alaina Moore and Patrick Riley is a surf-pop treasure spawned by an eight-month sailing journey up the East Coast. Everything goes swimmingly on the surface of Cape Dory (named after the boat’s manufacturer), but a stream of melancholy lurks beneath the waves. The best songs are like wistful glances back towards the shore: “Marathon” rides along on a terrific bass line and... 

JOHN VANDERSLICE White Wilderness [Dead Oceans] There’s always been an orchestral sensibility to John Vanderslice’s music. This time he makes it official by teaming with San Francisco’s Magik*Magik Orchestra on nine new tunes featuring Minna Choi’s subtle, skillful arrangements of strings, horns, woodwinds and more traditional rock toys like piano and pedal steel guitar. Sleek strings race crosswise across the contrapuntal groaning of wind... 

WIRE Red Barked Tree [Pink Flag] Wire’s angular omnipresence has long lurked in the deep corners of the English rock psyche. Morphing from the most art-damaged of the early punks to the most punk-damaged of the post-punk art-rockers, the band has spent 30 years off and on watching half-shed shards of its DNA pop up at intervals, and now even their descendants in the Feelies or the Pixies are old enough to go on reunion tours. While crashers like... 

DAVID LOWERY The Palace Guards [429 Records/Savoy] It’s taken San Antonio’s David Lowery nearly three decades to succumb to the urge of recording a solo album, although he was always the dominant creative force in his bands Camper Van Beethoven and Cracker. As it stands, close your eyes and The Palace Guards morphs into a very good Cracker album. The nine songs here veer between country cornpone and blazing rock, with Lowery’s signature wit... 

THE DIRTBOMBS Party Store [In the Red] Garage rock and soul are both unavoidable influences for any Detroit band reared on the local drinking water. The Dirtbombs love their Motown and Stooges, but they also know the city didn’t stop producing good music in the ’70s. Here the band explores a more obscure era of hometown history, covering a series of innovative techno singles from the ’80s and ’90s. The originals were recorded with drum machines... 

DESTROYER Kaputt [Merge] Dan Bejar has done lo-fi, he’s tried symphonic and now he goes for a super-glossy hi-fi sound on the latest from his band Destroyer. Kaputt is like the soundtrack for a Bryan Ferry biopic from an alternate reality—full of atmospheric synthesizers, effects-treated guitars, crisp drums and sleek, airless bass. The alto saxophone meandering through some of the songs is also part of the wistful mood of the record—all late... 

THE GADDABOUTS The Gaddabouts [Racecarlotta] While it’s only natural to mistake the Gaddabouts’ self-titled debut for another Edie Brickell album—perhaps a companion piece to the eponymous effort she released in January—that assumption misses the mark. This is an all-star assemblage, with Brickell being but one of the headliners alongside veteran drummer Steve Gadd, Who bassist Pino Palladino and British guitarist Andy Fairweather-Low. Gadd,... 

GANG OF FOUR Content [Yep Roc] Gang of Four roared out of the chute more than three decades ago with Entertainment!, one of the post-punk era’s finest albums. A prime influence on the alternative-rock crowd, the British quartet framed punk’s subversive spirit in jagged rhythms and shards of staccato riffs. Remarkably, the group’s first album of new material since reuniting in 2004 picks up right where its early work left off. Armed with sturdy... 

CARRIE RODRIGUEZ AND BEN KYLE We Still Love Our Country [Ninth Street Opus] Carrie Rodriguez, who began her career as part of a duo with Chip Taylor, finds a new collaborator on this duets album with Ben Kyle from the Minneapolis band Romantica. On this eight-song set the two travel some familiar Americana territory, covering Townes Van Zandt (“If I Needed You”), John Prine (“Unwed Fathers”), George Jones (“You’re Still On My Mind”)... 

JOE LOVANO/US FIVE Bird Songs [Blue Note] When Joe Lovano decided to record an album interpreting the songs of Charlie Parker, he knew the best approach he could take was to not pretend to be Parker himself. And why should he? Lovano has been one of the most consistently inventive saxophonists in jazz for more than two decades. The melodies and chordal shifts may be as familiar as bebop itself, but Bird Songs sounds and feels like what it is: a Joe... 

NICOLE ATKINS Mondo Amore [Razor & Tie] Four years ago in “Brooklyn’s On Fire!” Nicole Atkins sang about a city in flames while sounding too wrapped up in a magical, boy-crazy dream to really care. Her second album fast-forwards to a point where love-induced blindness has lost some of its power and where a conflict has arisen between our need to move on and our desire to keep what’s in front of us. When Atkins isn’t sticking up for... 

TALIB KWELI Gutter Rainbows [Javotti Media/3D] The latest from Talib Kweli is largely a DIY affair: The rapper recorded and released it outside the major-label system, and no big-name producers or big-shot guests were involved. It’s just Kweli with a handful of collaborators, dropping rhymes that veer toward the socially conscious over neo-soul beats. In other words, it’s not all that different from what the New York MC has been doing all along.... 

PJ HARVEY Let England Shake [Vagrant] After years of making love songs sound like declarations of war, PJ Harvey is flipping the script. Let England Shake is a blunt indictment of her country’s past and present militarism, and while the lyrics range from mournful to venomous, the music is steady and restrained. Part of that is due to instrumentation: Harvey wrote these songs on autoharp, an instrument that doesn’t exactly lend itself to hardcore... 

RADIOHEAD The King of Limbs [TBD Records] There are two Radioheads, and there have been for some time now. One is a five-piece rock band from Oxfordshire, England, that is responsible for relatively straightforward modern classics like “Creep” and “Karma Police.” The other is a six-piece studio collective (including producer Nigel Godrich, an essential part of the team since 1997’s landmark OK Computer) that assembles complex, surreal sonic...