JACK WHITE Blunderbuss [Third Man/XL/Columbia] You knew someone as restlessly prolific as Jack White would get around to it eventually. After six albums with the White Stripes, two each with the Raconteurs and the Dead Weather, collaborations with everyone from Loretta Lynn to Conan O’Brien and innumerable moves as producer and record-label entrepreneur, the pride of Detroit (and more recently of Nashville) has finally released a solo album. White... 

SPECTRUM ROAD Spectrum Road [Palmetto] “Supergroup” is a term that was long ago diluted, but every once in a while the stars align and the word regains its meaning. Spectrum Road is incontestably a supergroup: Cream bassist Jack Bruce; Living Colour guitarist Vernon Reid; keyboardist John Medeski of Medeski Martin & Wood; and drummer Cindy Blackman, who has backed husband Carlos Santana, Lenny Kravitz and others. Spectrum Road—and the quartet’s... 

THE TING TINGS Sounds from Nowheresville [Columbia] In the first 10 seconds of “Hang It Up,” the leadoff single from their sophomore album, the Ting Tings swipe the opening chord from Nirvana’s “Smells Like Teen Spirit” and an almost equally recognizable beat from Jay-Z. This British electro-pop duo may have 99 problems, but absorbing and expressing their influences ain’t one. Opener “Silence” is a gift to New Wave geeks—a three-minute... 

DELTA SPIRIT Delta Spirit [Rounder] It’s fitting that Delta Spirit’s third full-length album is self-titled. The band reinvents itself here, channeling the raucous energy and sound of its live performances. Lineup changes—guitarist Sean Walker has been replaced by Will McLaren—and a cross-country relocation from Long Beach, Calif., to Brooklyn has erased the rootsy folk leanings of previous releases, leaving tightly crafted rock in their... 

DR. JOHN Locked Down [Nonesuch Records] Few could blame Dr. John (aka Mac Rebennack) if he opted to coast on his towering reputation in New Orleans music. But this new album proves he has no such intentions. Spearheaded by the Black Keys’ Dan Auerbach—who produced and co-wrote the material—Locked Down sounds like a 21st century version of the R&B gumbo Dr. John served up at the turn of the ’70s. The opening title track sets the tone.... 

THE SHINS Port of Morrow [Aural Apothecary] Following the Shins’ 2007 album Wincing the Night Away, leader James Mercer stretched in new directions—collaborating with Danger Mouse in Broken Bells, doing soundtracks and even trying a little acting. He’s come back home on Port of Morrow, the Shins’ fourth record, and his wistful pop sensibility remains very much intact. Perhaps the biggest difference here is the immediacy of his lyrics, which... 

GARBAGE Not Your Kind of People [Stunvolume] Garbage’s first album in seven years proves the long hiatus has done nothing to diminish the band’s chemistry. All the ingredients of the group’s post-grunge sound—techno-tinged abrasiveness, deadly pop hooks, Shirley Manson’s brainy sex appeal—are sharper than ever. Typical is “Blood for Poppies,” which churns with buzz-saw guitars, a sing-along melody and Manson’s effortless way of... 

JUSTIN TOWNES EARLE Nothing’s Gonna Change the Way You Feel About Me Now [Bloodshot Records] On his fourth album, Justin Townes Earle’s lonesome croon is a cool salve for the downhearted. A musical drifter, he’s  stepped away from traditional country to explore the sultry arrangements of Muscle Shoals. The album begins with “Am I That Lonely Tonight?” a solemn dirge that references his famous father, Steve. Going forward, Earle shuffles... 

PHIL COLLINS  Live at Montreux 2004   [Eagle Eye Media] When Phil Collins announced his retirement from music in March 2011, it was no surprise—but it was a sadly muted way to end the diverse and surprising career of a madly underrated talent. Beginning as drummer extraordinaire for Genesis in 1970, Collins eventually led the group to crossover success as its unlikely lead singer. He spent the 1980s balancing work with that band, his own massive... 

ANOUSHKA SHANKAR Traveller [Deutsche Gammophon] It’s no longer enough to say that sitarist  and composer Anoushka Shankar is keeping alive the legacy of her iconic father, Ravi Shankar. With two decades of experience on the instrument and several albums that explore diverse aspects of her artistry—from traditional solo Indian classical to experimental full-band works that integrate Indian elements with cutting-edge electronica—Shankar is... 

MARGOT & THE NUCLEAR SO AND SO’S Rot Gut, Domestic [Mariel] After conflicts with their label and some soul-searching, Margot & the Nuclear So and So’s have chosen the path of self-sufficiency with their fourth album, Rot Gut, Domestic, which was fan-funded through PledgeMusic. Musically, the band has taken its freedom as an opportunity to crank up the amps, and the album opens with several tracks of lumbering, heavy riffs reminiscent... 

FLYING COLORS Flying Colors [Mascot] Flying Colors spotlights five veteran musicians with unbeatable progressive pedigrees—guitarist Steve Morse (Dixie Dregs, Deep Purple), drummer Mike Portnoy (who recently exited Dream Theater), bassist Dave LaRue (a frequent collaborator of Morse and Portnoy), keyboardist Neal Morse (formerly of Spock’s Beard) and singer Casey McPherson (Texas’ Alpha Rev). Think Toto—top-flight players who don’t look... 

ROBIN TROWER   Farther On Up the Road: The Chrysalis Years 1977-1983  [Chrysalis/EMI] Unlikely as it may now seem, boys and girls, there was a day when Rod Stewart deferred the spotlight to guitarist Jeff Beck—for at least a couple of albums in the late 1960s, it was Beck’s name who graced the cover of the albums they made together. The notion of the superstar lead guitarist to whom the singer played sidekick survived into the ’70s, at least... 

BRENDAN BENSON What Kind of World [Readymade] On What Kind of World, Jack White’s Raconteurs partner Brendan Benson puts on his solo-artist hat and taps suitably homemade ’70s vibes ranging from rock-star riffing to AM-gold smoothness. For every electric guitar solo, there’s a piano ballad to counter. There is a little genre-shifting in the songs’ accents; the horns on “No One Else but You” sound as if they might segue into a chorus of... 

FAIRPORT CONVENTION By Popular Request [Matty Grooves]  Fairport Convention walks a musical tightrope between pleasing recent converts and serving the diehard fans that still champion the days when its earlier lineups pioneered British folk-rock. Consider By Popular Request something akin to a perfect balancing act, a 45th anniversary celebration that reconsiders classic songs without adulterating them. It’d be easy to credit the fresh energy... 

LUKE ROBERTS The Iron Gates at Throop and Newport [Thrill Jockey] After writing most of his first album (last year’s Big Bells and Dime Songs) on borrowed guitars, Luke Roberts finally got an instrument of his own—a Collings 0002H, to be precise. The sudden luxury allowed him more time to work on songs for this follow-up. Extra time aside, Roberts’ latest retains the arid feel of his debut, and the songs sound well-worn and timeless. His voice... 

HANK WILLIAMS III Long Gone Daddy [Curb] The latest from  Hank III comes with a mess of backstory. First, the family stuff: This skinny country warbler is the grandson of genre godhead Hank Williams and son of fellow hornets’-nest swatter Hank Jr. Then there’s the label drama. Hank III has publicly warred with Curb Records and did not participate in assembling this collection, which comprises four previously released tunes and six outtakes.... 

LYLE LOVETT  Release Me [Lost Highway/Curb] Release Me marks the end of Lyle Lovett’s career-long run with Curb Records—he first signed with the label in 1985, at age 28. While its hodgepodge of holiday songs, covers, duets, ballads, rockers, swing, bluegrass and even an instrumental initially smacks of randomness, it also points toward the open-minded eclecticism that has sustained Lovett throughout his career. He has never been a conventional... 

GUIDED BY VOICES Let’s Go Eat the Factory [Guided by Voices] This is Guided by Voices’ 16th studio album, but it might as well be their 160th. It’s also their first since 2004, but thanks to comically prolific bandleader Robert Pollard, who spent the interim years releasing solo records and leading various similar-sounding bands, it’s as if they never really went away. The twist here is that Let’s Go marks the reunion of the beloved... 

LEONARD COHEN Old Ideas [Columbia]  It’s a funny thing to say about a septuagenarian, but Leonard Cohen has really grown into his voice. What was always a distinctive instrument has deepened on his new album into a resonant purr capable of insinuating itself into the deepest part of you. Old Ideas is only the 12th studio album in a musical career stretching back to 1967, but Cohen chooses his words with considerable care. He’s become more... 

INGRID MICHAELSON Human Again [Mom+Pop]  “I’ve got to say goodbye to the pieces of me that have already died,” sings Ingrid Michaelson on the moody new single “Ghost.” Eschewing the lighthearted sound of her earlier albums, Michaelson has indeed made her most mature and expansive work to date with the deeply personal Human Again. Her albums have become progressively slicker as she’s transformed from coffee-shop singer-songwriter to... 

JOE COCKER Hard Knocks [429 Records] Joe Cocker’s latest marks a 180-degree turn from his rough-and-ready previous record, 2007’s Hymn for My Soul. Produced by Matt Serletic, best known for his work with Matchbox Twenty, Hard Knocks is spit-shined and glossy to a fault. Comprised mostly of pop-flavored R&B, the album emits an ’80s vibe, and often brings to mind Robert Palmer’s broad-strokes discs of that era. Typical is “Stay the... 

HUGH MASEKELA Jabulani [Razor & Tie] As far as most Americans are concerned, Hugh Masekela was a one-hit wonder who scored a fluke pop chart-topper in 1968 with his jazzy take on the grooving “Grazing in the Grass,” and hasn’t done much since. In truth, the South African trumpeter, flugelhornist and vocalist has been recording and performing steadily for some five decades now—and if his public profile isn’t as high as it once was,... 

DIERKS BENTLEY Home [Capitol Nashville] Contemporary country success is often about establishing a persona and then reiterating it at every turn. Become the “I’m from the country” guy, the “I love America” guy, the “I love to party” guy or the “I’m free to party in the country ’cause I live in America” guy and hammer that home. Dierks Bentley is a big-tent, big-idea exception to all that. He’s comfortable on stages with... 

SHARON VAN ETTEN Tramp [Jagjaguwar] It’s not like she carried her stuff around in a bindle, but Sharon Van Etten did do some couch surfing while recording her third album. Fortunately, the fluctuations of her life outside the studio only seemed to underpin her consistency inside it. Tramp is a masterful collection that broadens the gripping sound of Van Etten’s understated 2010 album Epic. Produced by the National’s Aaron Dessner, these songs... 

THE DOORS  L.A. Woman: 40th Anniversary Edition  [Elektra/Rhino] Doors keyboardist Ray Manzarek idly runs through the chords of his band’s evocative new number, “Riders on the Storm,” a brooding meditation on the inherent madness of humanity, as drummer John Densmore quietly gets a feel for the groove. As Jim Morrison steps up to the mic to prepare for a take, Manzarek’s pattern triggers an unexpected synapse in the young singer and poet’s... 

CRAIG FINN Clear Heart Full Eyes [Vagrant] After five albums with Brooklyn indie rockers the Hold Steady, frontman Craig Finn has made his first foray into solo territory. While Clear Heart Full Eyes is a down-tempo, alt-country departure from Finn’s usual classic-rock oeuvre, this is no throwaway acoustic cop-out. In lieu of electric guitar we find pedal steel warbling to fill in the negative space. The album’s production sounds thin and almost... 

SNOW PATROL Fallen Empires [Interscope] Despite considerable success in the U.K. and Ireland, Snow Patrol’s popularity in America lags behind fellow Brit-rockers like Coldplay. But while Coldplay’s albums have come to feel increasingly hollow in their grandiosity, Snow Patrol’s latest continues to hone the cinematic, downhearted sound that has yielded a string of platinum albums abroad. The band experiments a little here with pounding drums... 

CANDI STATON Who’s Hurting Now? [Honest Jon’s] Candi Staton earned the title “first lady of Southern soul” for the sides she recorded 40 years ago before turning to disco and then forsaking the secular for gospel music. Her sublime 2006 comeback record, His Hands, begged for a follow-up. Who’s Hurting Now? came out overseas in 2009, but label and licensing complications prevented its release stateside until now. Better late than never—it’s... 

TODD RUNDGREN Todd [S’More Entertainment] Last year Todd Rundgren delighted fans by performing a series of shows featuring three of his most beloved albums—1973’s A Wizard, A True Star, 1974’s Todd and 1981’s Healing—in their entirety. This DVD captures a run-through of Todd staged in September at the historic Keswick Theater in Rundgren’s hometown of Philadelphia, and it sizzles with the same progressive spirit the original double-LP... 

RHETT MILLER The Interpreter: Live at Largo [Maximum Sunshine]  Covers albums and live records both tend to be mixed bags, so it follows that making a quality album of live covers would be difficult. Rhett Miller, however, is largely successful on The Interpreter, an intimate collection recorded over two nights in 2008 at Largo, before the Los Angeles club changed locations (there are also two studio bonus tracks). Miller plays solo for much of... 

MITCH RYDER The Promise [Michigan Broadcasting Corporation] Detroit’s Mitch Ryder lays down old-school grooves with a vengeance on his first American album in nearly 30 years, singing the blue-collar blues over catchy bass and guitar riffs. Ryder lets out the Motor City funk on numbers such as “The Way We Were” and “Junkie Love,” aided by producer and fellow Detroiter Don Was. Ryder addresses the personal and political with equal ease.... 

THE BIG PINK Future This [4AD] Hyping this follow-up to their stunner of a debut, A Brief History of Love, U.K. duo Robbie Furze and Milo Cordell have talked a lot about the influence of pop and hip-hop. Indeed, synths and samples here fill space once reserved for fuzz guitar and live drums, but the Big Pink was never a traditional rock band. Like its predecessor, Future This points back to 1991, when groups like EMF, Jesus Jones and most notably... 

MESHELL NDEGEOCELLO Weather [Naïve] Meshell Ndegeocello has been pushing the limits of her genre-bending ambition for 20 years, and in the process the agile bassist has gained a reputation as a must-have session player and a solo artist whose skills are matched only by her daring. Produced by the ever-eclectic Joe Henry, Ndegeocello’s ninth album (and first since 2009’s Devil’s Halo) blends pulsating rhythms, atmospheric arrangements and... 

VARIOUS ARTISTS Chimes of Freedom: The Songs of Bob Dylan Honoring 50 Years of Amnesty International [Shangri-La] Featuring 76 Bob Dylan covers from more than 80 artists to celebrate Amnesty International’s 50th anniversary, the four-disc Chimes of Freedom is a compilation whose intimidating breadth manages to bring unexpected acts like Ke$ha (“Don’t Think Twice, It’s All Right”) and Miley Cyrus (“You’re Gonna Make Me Lonesome When... 

LADYSMITH BLACK MAMBAZO Ladysmith Black Mambazo & Friends [Razor & Tie] Following quickly on the heels of their last studio album, Songs from a Zulu Farm, this exceptional two-disc anthology finds South African vocal group Ladysmith Black Mambazo rounding up many of its stellar collaborations with other artists. After reaping international acclaim for its performances on Paul Simon’s 1986 landmark Graceland, the group continued to stretch... 

THE WHITE BUFFALO Once Upon a Time in the West [Unison Music Group] Given his ramshackle narratives and sober sentiments, Jake Smith (a.k.a. the White Buffalo) seems to fit comfortably into the alt-country lineage of Uncle Tupelo and its offspring, Wilco and Son Volt. But if the album title suggests an Ennio Morricone film score, it’s also true that the dark characters Smith imagines are not unlike Clint Eastwood’s Man With No Name—fueled... 

JAMES McCARTNEY The Complete EP Collection [Engine Company] There’s something funny about packaging two EPs and calling it the “complete” collection, though it’s accurate in James McCartney’s case. The English singer and songwriter has released two digital EPs, and this compilation is the first time they’re available in physical form. McCartney plays with a jittery seat-of-his-pants sensibility that sets him apart from his famous father,... 

MIKE VIOLA Electro de Perfecto [RED] Fifteen years have passed since Mike Viola lent his voice to the That Thing You Do! soundtrack, and he still sounds like the boy next door who dreams of being best buds with Paul McCartney. His writing, though, has gotten dark enough to prevent him from busting the adorability scale. Using phrases like “midlife crisis” to describe Electro de Perfecto would be unfair, if only because some of the subject matter... 

PEGI YOUNG & THE SURVIVORS Bracing for Impact [Vapor Records] Pegi Young’s late-blooming musical career continues to evolve apace, as her third solo release features a rootsier, bluesier sound than earlier efforts. “Flatline Mama” is a lively tune done up in a ’50s rock ’n’ roll vein, while the gritty, bluesy edge on tunes like “Med Line” and “Gonna Walk Away” recalls Bonnie Raitt. Young convincingly serves up the soul on “Trouble... 

THE MONKEES  Instant Replay  [Rhino Handmade] In February 1986 MTV ran a marathon of episodes from the Monkees’ 1960s television show, instantly igniting a wave of new interest in an act known during its heyday as a fabricated cash-in on the appeal of the Beatles. But if MTV started the second wave of Monkeemania, the folks at reissue label Rhino made sure it stuck. The next several years saw a series of loving re-releases of the Monkees’ original... 

ADELE Live at the Royal Albert Hall [Columbia] After issuing two mega-selling albums before the tender age of 21, Adele Adkins has had fans raving about her as the second coming of Dusty Springfield. And she makes a pretty good case for that opinion on this full-length concert DVD recorded at London’s most venerable venue. Adele displays expert pitch and control, and a rare ability to wring visceral emotion out of a simple lyric like “I won’t... 

MARK YARM  Everybody Loves Our Town: An Oral History of Grunge [Crown Archetype] Never have the people responsible for starting a musical movement been so quick to tear down their own myth. From the moment the sound known as “grunge” emerged from the Pacific Northwest, the sobriquet was universally rejected by the artists to whom it was applied. From well before the moment major record labels began making their way up to Seattle, smelling money... 

AMY WINEHOUSE  Lioness: Hidden Treasures  [Island] We know the drill here, right? After endless posthumous releases from Jimi Hendrix, Jim Morrison, Kurt Cobain, 2Pac and countless others, the pattern is set: A singer-songwriter in his or her 20s dies, and somehow a few spare tracks can always be found in the vaults to justify one more new piece of product. Lioness is with us less than six months after British songbird Amy Winehouse’s premature... 

THE ROOTS Undun [Def Jam] The latest from hip-hop’s hippest band is a concept album that tells the fictional—although all too believable—story of Redford Stephens, a low-level street hustler who makes all the wrong choices on his way to an early end. That’s not giving anything away: The Roots tell this story in reverse, rewinding Stephens’ life through songs carefully constructed to avoid glorifying his brief and unfortunate time in the... 

KATE BUSH 50 Words for Snow [Fish People/Anti] This is Bush’s first recording of all new music since the double-disc Aerial in 2005, although earlier in 2011 she released Director’s Cut, which included slightly reworked versions of some previously released songs. Not so much a holiday album as a soft, meditative and lush rumination on winter, 50 Words for Snow will remind listeners of a time when musical artists were more intent on creating unified... 

THE BLACK KEYS El Camino [Nonesuch Records] Prior to its release, Black Keys drummer Patrick Carney proclaimed El Camino the first “all rock ’n’ roll album” of the duo’s decade-long career. Point taken, but the Keys have hardly forsaken the retro-soul vibe that’s underpinned previous discs. Kicking off with the raging, surf-guitar-driven “Lonely Boy” (think the Cramps with a touch of Memphis R&B), Carney and guitarist Dan Auerbach... 

DRAKE Take Care [Young Money] Every movie about fame has a scene in which the rising star ducks out of the party and stares through the penthouse window, weighing what they’ve gained against what they’ve given up. Stretch that moment into an entire album and you get Take Care, the sophomore effort from Canadian hip-hop phenom Drake. With his confessional lyrics and sing-rap-chat vocal style, Drake follows in the footsteps of Kanye West. While... 

DAVID NAIL The Sound of a Million Dreams [Universal Nashville] With his third album, 32-year-old David Nail proves that he is a cut above contemporaries whose songs often rely on a slapdash collection of tired, countrier-than-thou stereotypes. Nail shows a knack for songcraft, most notably on “Catherine,” a tune written for his wife. But his supple, soulful tenor elevates the album’s outside material, too, as he tackles everything from frenetic... 

RICH ROBINSON Through a Crooked Sun [Circle Sound/Thirty Tigers] This second solo album from Black Crowes guitarist Rich Robinson finds him drawing from the usual sources—the Stones and Faces, in particular—but more dominant are some old-school rock influences that rarely surface in the Crowes’ music. The strummy “I Don’t Hear the Sound of You” evokes the breezy shimmer of the Hollies, but mostly Robinson works in darker colors. “Follow...