DAYNA KURTZ American Standard daynakurtz.com American music comes from the church, so it’s fitting that American Standard—a sampling of homegrown sounds spanning hollerin’ blues to the Replacements’ “Here Comes a Regular”—opens with a prayer. “I’ll be a great sage or a fabulous liar,” Dayna Kurtz sings on “Invocation,” pleading with “mama”—maybe her mother, maybe the Virgin Mary—to “let me come home.” Kurtz will... 

UNICYCLE LOVES YOU Failure unicyclelovesyou.com Perhaps intended as film criticism, “Wow Wave Cinema,” the second track on the third album from this Chicago slacker-punk trio, also applies to rock ’n’ roll. “It’s nothing new,” frontman Jim Carroll sings. “It’s just called by a different name.” Twenty years ago, the band’s loveably skuzzy tunes would have been tagged “alt-rock.” Today, they’re “neo-” something-or-other,... 

BAHAMAS Barchords bahamasmusic.net If not for its twin indie-rock guitars—one glistening, the other grinding—the Bahamas standout “Never Again” might pass for a Lenny Kravitz ballad. And that would be just fine—having spent years playing with fellow Canadian singer Feist, Afie Jurvanen is no stranger to mainstream acclaim. But on his second disc under this tropical moniker, he paddles farther out from the pop mainland. Give him an acoustic... 

YVA LAS VEGASS I Was Born in a Place of Sunshine and the Smell of Ripe Mangoes myspace.com/lasvegass To say Yva Las Vegass has a unique point of view is putting it mildly, and there’s no room for mildness where she’s concerned. The native Venezuelan moved to Seattle as a teen and roughed it as a street musician, battling homelessness and addiction. After performing at a birthday party for Krist Novoselic, she played with the Nirvana bassist in... 

MOONLIGHT BRIDE Twin Lakes moonlightbridemusic.com On “Lemonade,” the big gulp of bittersweet, noisy pop that is this EP’s finest track, singer Justin Giles is simultaneously psyched up and disoriented—just like the music that envelops him. “Where did you take me?” he asks. “These kids are drunk and they don’t like guitars.” If he’s at a party where the kids don’t dig six-strings, he’s definitely in the wrong place. On their... 

ULRICH SCHNAUSS & MARK PETERS Underrated Silence myspace.com/ulrichschnauss Working primarily at night—which might explain the drowsy sound, were it not already his trademark—German electro hypnotist Ulrich Schnauss teamed with Mark Peters of the British band Engineers for this album of pure downy atmosphere. Schnauss’ aim, as always, is to re-create with keyboards the arrestingly beautiful guitar assault of Ride, Chapterhouse and My Bloody... 

SISTER SPARROW & THE DIRTY BIRDS Pound of Dirt sistersparrow.com Like a snazzy dance band that refuses to wear shoes, this nine-piece soul-rock crew does red-hot and brassy ’60s soul with a scraggly blues edge. The scruffiness is down to the sibling duo of Arleigh and Jackson Kincheloe—Catskills natives who use voice and harmonica, respectively, to dredge up all the sorrow, joy and sexiness of the vintage music they love. Arleigh aspires... 

RICKOLUS Coyote and Mule iamrickolus.tumblr.com “Where is everyone?” Richard Colado sings on “Candy Blood,” just before answering his own question: “I am everyone.” Sure enough, the 31-year-old Floridian is the sole force behind Rickolus; he recorded this album on a four-track recorder, working partially in the shed behind his parents’ house. There’s a handcrafted feel to these songs, and while the crud-pop nugget “Something in... 

SICK FRIEND The Draft Dodger sickfriend.bandcamp.com Since the emergence of the White Stripes and the Black Keys, the indie world has been deluged with guitar-and-drum duos. Sick Friend would seem to offer more of the same, but on their debut these thoughtful Canadians drop bittersweet synth lines and straitlaced rhythms. Singer and guitarist Michael O’Brien has a soul-baring falsetto informed by the Dears and Of Montreal, but on the excellent... 

NED EVETT Treehouse nedevett.com The story goes that Ned Evett smashed his Fender Stratocaster one New Year’s Eve and fashioned a fretless guitar from the pieces. His ingenuity and virtuosity are well documented, but there’s more to his story. For his sixth album, the journeyman picker moved to Nashville and recorded with King Crimson’s Adrian Belew. The goal: to write great songs about his recent financial and romantic hardships. By any measure,... 

COLIN SCHILLER & THE REACTIONS Endless Holiday colinschillerandthereactions.com  When groups do cheeseball ’80s revivalism they tend to focus on stiff, robotic New Wave or butt-wiggling hair metal. Credit Colin Schiller for trying something different. Following in the hallowed footsteps of Loverboy, the Romantics, “Glory Days”-era Springsteen and Huey Lewis and the News, Schiller and his Brooklyn crew make music for Friday at 5 p.m., when... 

THE CHROME CRANKS Ain’t No Lies in Blood myspace.com/chromecranks The Chrome Cranks spent three days recording this, their first new album in 15 years. That probably includes the time it took to load in, load out and sweep up whatever detritus—beer bottles, cigarette butts, voodoo remnants—they left behind in the studio. As per their reputation, the Cranks play bluesy punk with murderous glee, conjuring up the Dead Boys on “Living/Dead”... 

CAPSULA In the Land of Silver Souls capsula.us Forged under an Argentinean dictatorship and now based in Spain, this magnificently noisy trio traverses time and space, folding the finest rebel guitar sounds—rockabilly, garage, glam and art-school droning—into one shiny package. Imagine the Stooges on Mars with Spanish accents.  Read More →

I SEE HAWKS IN L.A. New Kind of Lonely iseehawks.com On their first acoustic album, these L.A. country-rockers muse on the Grateful Dead and mourn the literal dead. They also celebrate life—a parade of humor and sadness that, with its immigrant strivers, hopeless drug takers and doomed lovers, is especially colorful in their hometown.  Read More →

GEORGE SARAH Who Sleep the Sleep of Peace myspace.com/georgesarahmusic The year is young, so 2012 could see other electro-orchestral tropical dance records—but only Sarah’s is likely to feature members of the Pogues, Bauhaus and Save Ferris. No wonder this guy makes music for the Discovery Channel; his is a world of wonder and possibility.  Read More →

TONIGHT ALIVE What Are You So Scared of? tonightaliveofficial.com Bearing the unmistakable stamp of Mark Trombino—the producer whose high-gloss, hyper-precise pop-punk sound has become an industry standard—the debut from this Aussie quintet bristles with adolescent emotion. When singer Jenna McDougall’s feelings get messy, the music stays tidy and on target.  Read More →

MARSHALL CATCH Make Noise marshallcatch.com It’s hip to reference Pavement and Teenage Fanclub, but back in the ’90s the rock bands people actually listened to sounded more like Marshall Catch. These big-hearted Montana boys do Hootie hooks with Collective Soul punch. You forgot how much you missed this stuff.  Read More →

RISA BINDER Paper Heart risabinder.com On “You Made It Rain,” the song that opens her debut album, Risa Binder gets caught between cynicism and belief. As her crush leans in for a kiss, the skies open up—and while she wants to live in a world where such things magically happen, she’s suspicious. “It was so perfect, like the world was a movie set,” the Maryland native sings, perhaps revealing a bit of where she’s been. Before moving to... 

BAD WEATHER CALIFORNIA Sunkissed badweathercalifornia.com Bad Weather California packs several decades’ worth of good vibrations into a compact package. That goes for the sun—the thematic centerpiece of this aptly named album—and for the half-century of sounds these Denver dudes draw from. With its slippery bass and unlikely blend of wah-wah and chicken-scratch guitars, opener “I’ll Reach out My Hand” kicks things off in a funky fog. From... 

AMY RAY Lung of Love amy-ray.com A few songs after “From Haiti,” whose stabbing guitars evoke “London Calling,” Amy Ray makes an even more direct reference to that classic’s creators in the Clash. “There’s a little Joe Strummer in my DNA,” she sings on “Little Revolution,” an organ-driven pop nugget about embracing—and therefore overcoming—pain and suffering. Indeed, the longtime Indigo Girl shares much in common with Strummer—most... 

WALTER ROSE Cast Your Stone walterrosemusic.com As a teenager, this native Hawaiian underwent brain surgeries that left him with partial vision in one eye. Later, after he’d found work teaching special-needs kids, he lost a girlfriend to a motorcycle accident. So he’s entitled to sing songs like “Times Are Hard,” a nervous country-noir number about “dusty dreams.” Of course, if entitlement were enough, the world would be filled with country... 

JIOSA On the Edge dennyjiosa.com Even acclaimed smooth-jazz musicians must stand at the mirror and dream of rocking out. Here, Grammy-nominated guitarist Denny Jiosa gets his chance by positioning himself at the head of a mighty power trio. While the versatile virtuoso breaks up his shredding with ballads and even a Beatles cover, it’s the blustery, bluesy hard-rock tunes—the ones you could most imagine David Lee Roth high-kicking along to—that... 

SUNNY TAYLOR Sunny Taylor sunnytaylormusic.com Just four songs and 20 minutes long, the latest from this Indiana singer-songwriter offers four distinct stories and asks one overarching question: “When do you get to getting over it?” That line comes from “Paper Tiger (Getting Over It),” a song whose narrator really ought to grab a coffee with the protagonist from “Trucker.” That one is about someone who drives all night, pondering regrets... 

LUTHEA SALOM Kick in the Head lutheasalom.com Somewhere between Canada and Spain (the countries in which she grew up) and New York City (where she now lives), Luthea Salom surely experienced some heartbreak. She loved, lost and learned, putting her in the same boat as 99.9 percent of the world’s population. So Kick in the Head, her third album, is the sound of an exceptional songwriter coming to terms with the unexceptional nature of her own “little... 

CORNFLOWER BLUE Run Down the Rails cornflowerbluemusic.com Just as the “country” in country music need not refer only to America, such instruments as mandolins, fiddles and twangy guitars aren’t just for hat-clad, boot-scooting genre purists. That’s the takeaway from Run Down the Rails, the sophomore effort from this Canadian duo. Theresa McInerney and Trevor May know their Hank, Johnny and Willie, but they come at Americana via ’90s R.E.M.... 

KOFFIN KATS Our Way & the Highway koffinkatsrock.com With a few notable exceptions—the grisly murder tale “A Terrible Way” and apocalyptic rager “The Devil Asked” among them—the Koffin Kats spend much of their sixth album singing about boozing and touring. If the songs are autobiographical, the Detroit psychobilly trio hasn’t let its lifestyle become a hindrance. The production is pomade-slick, and the playing is tighter than sopping-wet... 

KIRK WHALUM Romance Language kirkwhalum.com With Romance Language Kirk Whalum and his brother Kevin have created a musical mash note to one of their favorite albums, 1963’s mood-music landmark John Coltrane and Johnny Hartman. Kirk, an acclaimed smooth-jazz saxophonist with nearly two dozen albums to his credit, handles Coltrane’s parts, blowing in his reed as he might his lady’s ear. Kevin, meanwhile, plays lover-man extraordinaire in the... 

WHITTON Rare Bird whittonmusic.com Much in the same way Amy Winehouse played on ’60s soul and girl-group sounds, Jaime Whitton draws on ’40s jazz, positioning herself as a kind of Billie Holiday—minus the tragic undertones of either Winehouse or Holiday—for modern pop audiences. Whitton keeps her retro references subtle, using just enough tinkling piano, warbled phrasing and quacking brass to glance backward without risking whiplash. The... 

ROBERT DEEBLE Heart Like Feathers robertdeeble.com In the six years since his last album, this Seattle singer-songwriter earned a master’s in psychology. That explains lines like, “I feel the guilt, I feel the shame of an existential rush of temporal things.” Deeble is obviously a keen observer of human behavior, but what’s remarkable about Heart Like Feathers is how conversational and easygoing he sounds. This is true even when he’s at... 

THE WEE TRIO Ashes to Ashes theweetrio.com Finally, David Bowie gets the vibraphone-driven free-jazz tribute he deserves. The Wees turn the classic “The Man Who Sold the World” into funky supermarket music and 2002’s “Sunday” into as somber a meditation as three zany jazz brainiacs are likely to come up with.  Read More →

MAC McANALLY Live in Muscle Shoals macmcanally.com Performing live at the University of North Alabama, this enduring country songwriter and Jimmy Buffet sideman shares the stories behind his best tunes. Better yet, he plays them, demonstrating how aw-shucks personality and serious musicianship can make for a swell evening—and an enviable career.  Read More →

AUDREY SPILLMAN Part of Me audreyspillmanmusic.com On the title track, this Nashville newcomer wonders whether the relationship she’s just ended might have been worth saving. It’s heartfelt and complex—and as with the other four country-soul tunes on this EP, she sings it with conviction and elegance.  Read More →

EXDETECTIVES Take My Forever exdetectives.com Faris McReynolds, the young L.A. musician behind ExDetectives, ends this disc by repeating the words “drift forward.” Sure enough, he sounds like a psychedelic ’60s rocker who’s taken a magic carpet ride through time and landed in the alt-rock ’90s—finding nirvana in the age of Nirvana.  Read More →

REBECCA SAYRE Play rebeccasayre.com Best known for jazzy pop, Sayre takes more of a down-home country turn on this four-song EP. Luckily she retains her signature pep, bouncing between pragmatism (“I’m gonna leave it up to love”) and optimism (“Today, I’m basking in my own light”).  Read More →

JUSTIN ROBINSON & THE MARY ANNETTES Bones for Tinder justinrobinsonandthemaryannettes.com   From the Carter Family to Outkast, Robert Johnson to R.E.M., there’s a long, proud tradition of weirdness in Southern music. A key feature has always been contradiction—joy and pain, humor and dread, God and Satan—and there’s plenty to be found on Justin Robinson’s debut album with backing band the Mary Annettes. Previously known for his... 

BR’ER City of Ice fullgrownman.com By the fourth track of this harrowing collection, it’s high time for some sunlight—the tune in question is called “Hope,” but even that title turns out to be misleading. “Now there’s no hope for one,” sings Benjamin Schurr, the Philly auteur behind Br’er. “He lives in songs that are sung of pity and empathy and all in between.” That’s putting it lightly. Schurr funnels heartbreak, resentment,... 

DARRELL SCOTT Long Ride Home darrellscott.com For decades Darrell Scott’s father, recently deceased, played roadhouse bars, singing country hits while squirreling away his own material. That explains Darrell’s fondness for classic country and fascination with the musician’s lifestyle, both of which are celebrated on this disc—a literally down-home collection he cut in his house with a team of Nashville aces. Scott is a respected Music City... 

THE MARSHMALLOW GHOSTS The Marshmallow Ghosts myspace.com/themarshmallowghosts On their third straight Halloween-inspired release, the Marshmallow Ghosts move beyond singles and stretch their spookadelic aesthetic across an entire album. The band includes members of Dreamend, Hospital Ships and Black Moth Super Rainbow—bizarro pop acts from the aptly named Graveface label—but the men and women behind the instruments might as well be swirly-eyed... 

GLOSSARY Long Live All of Us glossary.us After a month holed up in a rural Tennessee house, this veteran quintet emerged with an album’s worth of revelatory self-help rock ’n’ roll. Singer Joey Kneiser comes on like a Springsteenian Southern preacher man, piling positive exhortations and affirmations (”Crawl with me out of the dark,” “You don’t have to know what got you here to be happy you’re alive”) atop Stones-via-Skynyrd guitar... 

ALERT NEW LONDON Youth facebook.com/alertnewlondon Alert old London—as in the British capital—and tell the city’s nostalgic 25-year-olds that there’s an American band reviving the sound of their teen years. On their debut, Alert New London harks back to the chiming, heroic turn-of-the-millennium U.K. rock of Travis, Doves and early Coldplay. Another reason 20-something Brits (and Americans) might dig this? The Ohio quintet packs Youth with... 

KID SAVANT Drop It on the Stereo kidsavant.net Four years after forming in Indianapolis, this electro-rock quartet has finally released its debut EP. The long delay might explain “4 Years,” in which frontman Ryan Weisberger seems intent on putting the past behind him. “Let’s let loose and forget,” he sings, but the band—now based in Brooklyn—sounds neither loose nor forgetful. All pointy guitars and walls of synth, “4 Years” recalls... 

BRETT NETSON Simple Work for the Dead thisisthenewblack.com Acoustic guitars anchor Brett Netson’s solo debut, but it’s his electric tones—coarse, buzzing and intended to agitate—that give this album its post-apocalyptic feel. The Built to Spill guitarist and longtime Caustic Resin leader plays through amps that sound as if they’re powered by iffy generators, and indeed given this disc’s major themes—greed, war, environmental and economic... 

SORRY EVER AFTER Meet Us When the Lights Go Low sorryeverafter.com Nostalgia for the ’90s was all the rage this year, and while much of it centered on Pearl Jam and Nirvana, there was more to the alt-rock era than oversensitive dudes in flannel. The Clinton years also gave us Magnapop, Letters to Cleo and the Muffs—female-fronted pop-punk bands whose spirits live on in the music of SorryEverAfter. Formed in August 2011 in San Francisco, this... 

ADRIAN YOUNGE PRESENTS VENICE DAWN Something About April waxpoetics.com/tag/adrian-younge Before he earned plaudits for scoring the 2008 neo-blaxploitation flick Black Dynamite, Adrian Younge released Venice Dawn, conceptualized as a soundtrack for a film that didn’t exist. Something About April is the sequel—and again the producer and multi-instrumentalist reveals a crate-digger sensibility, using electric pianos, organs, fuzz-tone guitars,... 

WUSSY Strawberry wussy.org The way it’s described throughout Strawberry, if love were a piece of produce you’d give it a squeeze, frown and think better of the purchase. That’s the metaphor suggested by the title, but on the rest of their fourth full-length these Cincinnati alt-rock stalwarts come up with cleverer ways of expressing romantic disappointment. Singer and guitarist Chuck Cleaver (formerly of Ass Ponys) digs space metaphors, and... 

DAN BLAKE The Aquarian Suite danielblake.net Dan Blake doesn’t need chords to hold his music together. Working with trumpet, bass and drums, the Brooklyn saxophonist and composer dabbles in formalism—you can whistle “The Whistler”—and digs deep into formlessness. Marvel as he and trumpeter Jason Palmer take turns racing into the rhythmic churn.  Read More →

JASON REEVES The Lovesick myspace.com/jasonreeves Having crunched the numbers, Jason Reeves knows the odds of finding true love and happiness are pretty slim—roughly “Infinity to One.” But that doesn’t stop him from singing the sunniest pop songs this side of Gavin DeGraw. Leave math to the mathematicians, and love to the lovers.  Read More →

DREW WILLIAMS Engineerium listn.to/drewwilliams Like a toned-down Tom Waits or T Bone Burnett, this wily Georgian does Americana with murky textures and a willingness to get weird. There are songs about hobos and migrants, and on the feral blues sketch “Wigwam” he pitches his tent as far from the suburbs as possible.  Read More →

BURAKA SOM SISTEMA Komba buraka.tv A byproduct of our shrinking world, this Portuguese dance collective comes with fierce Angolan beats and synths that blare like sirens and blip like cheap digital watches. The disc’s anthem, “(We Stay) Up All Night,” is thrilling, if redundant—with this stuff blasting, who could sleep?  Read More →

THE ICARUS LINE Wildlife theicarusline.org Born and brined in L.A. sleaze, these garage-punk miscreants draw strength from defeat and depravity. (Sample titles: “We Sick,” “Sin Man Sick Blues,” “Like a Scab.”) Catch them at their thorniest, though, and they’re all shriek, fuzz and thrust: Iggy and the Stooges for the Sunset Strip.  Read More →